2013 advance reading for BA English Literature joint honours

Literary Aesthetics after 1800 (semester 1)

The following texts will form the focal point of your studies in the first semester. Please ensure that the correct editions are purchased. While you will examine these texts in depth during your Literary Aesthetics after 1800 module it is a good idea to read them for the first time as soon as possible. In particular, as they will be the first texts that will be covered by the module, we would particularly urge you to read Roy’s The God of Small Things and Conrad’s Heart of Darkness prior to arriving at the university in September.

  • Heart of DarknessArundhati Roy, The God of Small Things (London: Harper Perennial, 2004)
  • Joseph Conrad, Heart of Darkness and Other Tales, ed. by Cedric Watts (Oxford World’s Classics, 2008)
  • Robert Browning, Selected Poems, ed. by Daniel Karlin (London: Penguin Classics, 2000)
  • Christina Rossetti, Selected Poems, ed. by Alison Chapman (London: Penguin Classics, 2008)
  • Virginia Woolf, Mrs Dalloway, ed. by David Bradshaw (Oxford World’s Classics, 2008)
  • James Joyce, Dubliners, ed. by Jeri Johnson (Oxford World’s Classics, 2008)

Literary Aesthetics before 1800 (semester 2)

These are the books with which you’ll work in the Semester 2 module, Literary Aesthetics before 1800. If, as we hope is the case, you’re keen to get ahead with the reading, then we’d invite you to explore the huge range of material that they offer, perhaps concentrating on the opening and ending of the Malory; on four plays, Dr Faustus, The Spanish Tragedy, The Malcontent and The Changeling from the Renaissance Drama anthology; and on the poetry of Johnson, Pope, Burns and Leapor from Eighteenth-Century Poetry. What matters above all is that you start that exploration, and follow your interests: we’ll look forward to sharing ours with you when the module starts.

These, then, are the three books that you’ll need to buy for Semester 2:

  • Le Morte DarthurStephen H.A. Shepherd, ed., Le Morte Darthur (New York: W.W. Norton, 2004)
  • Arthur F. Kinney, ed., Renaissance Drama: An Anthology of Plays and Entertainments, 2nd edn (Oxford: Blackwell, 2005)
  • David Fairer and Christine Gerrard, eds, Eighteenth-Century Poetry: An Annotated Anthology, 2nd edn (Oxford: Blackwell, 2004).

Please do email any questions to the module convenor, Dr Tom Lockwood. His email address is: t.e.lockwood@bham.ac.uk.

Critical Practice (semester 1)

In the first semester you will take our ‘Critical Practice’ module as well as ‘Literary Aesthetics after 1800’. Reading material for this module will be provided throughout the semester but there is one text that you should buy in advance. This is:

  • Virginia Woolf, A Room of One’s Own and Three Guineas, ed. Morag Shiach (Oxford World’s Classics, 2008).

A Room of One's OwnA more extensive list of secondary reading will be made available to you at the beginning of the course and will include print and electronic resources accessible via the University Library. In the meantime, the following critical studies can serve to introduce you to the kinds of literary criticism you will encounter on the module.

  • Julie Mullaney, Arundhati Roy's 'The God of Small Things' (New York and London: Continuum, 2002).
  • Alex Tickell, Arundhati Roy's 'The God of Small Things' (London and New York: Routledge, 2007).
  • John G. Peters, The Cambridge Introduction to Joseph Conrad (Cambridge: Cambridge University Press, 2006).
  • Richard Cronin, Alison Chapman, and Anthony H. Harrison, eds, A Companion to Victorian Poetry (Oxford: Blackwell, 2007).
  • Linda K. Hughes, The Cambridge Introduction to Victorian Poetry (Cambridge: Cambridge University Press, 2010).
  • Gillian Beer, Virginia Woolf: The Common Ground (Edinburgh: Edinburgh University Press, 1996).
  • Hermione Lee, Virginia Woolf (London: Vintage, 1996).
  • Laura Marcus, Virginia Woolf: Writers and their Work (Tavistock: Northcote House Publishers, 1997).