Dr Abigail Rokison-Woodall LAMDA Dip., LLAM, BA Hons (Open University), MA, PhD


Dr Abigail Rokison-Woodall

Lecturer in Shakespeare and Theatre

Contact details

The Shakespeare Institute
Mason Croft
Church Street
CV37 6HP

I joined the Shakespeare Institute in 2013, having been lecturing at Cambridge University for 7 years. I began my career as a professional actor, training at LAMDA and working quite extensively in theatre. Since deciding to move into academia my main research interests have been in the field of Shakespeare in performance, in particular verse speaking, adaptation and theatre history.  I have written two monographs - Shakespearean Verse Speaking (CUP) (winner of the Shakespeare's Globe first book award) and Shakespeare for Young People (Bloomsbury Arden). I am now writing Shakespeare in the Theatre: Nicholas Hytner for Arden Bloomsbury, and am one of the General Editions of the new Arden Shakespeare in Performance Editions, for which series I am editing A Midsummer Night’s Dream and Hamlet.


  • Diploma in Acting from LAMDA (3 year course) - 1996
  • LAMDA Teacher’s Diploma (LLAM) - 1998
  • BA Hons in Humanities with Literature (Open University) - 2001
  • MA in Shakespeare Text and Playhouse (King’s College, London/ Shakespeare’s Globe) - 2002
  • PhD on ‘Shakespearean Verse Speaking’  (Cambridge University) - 2006


I began my career as a professional actor, my acting work including numerous roles in theatre, and, amongst other television roles, Primrose Larkin in TV’s The Darling Buds of May. Following a degree with the Open University, undertaken whilst acting, I went on to take an MA in ‘Shakespeare: Text and Playhouse’ at the Globe Theatre/ King’s College London. I completed my PhD in ‘Shakespearean Verse Speaking’ in the English faculty at Cambridge University in 2006 after which I became a lecturer in Drama and English in the Education Faculty in Cambridge and Director of Studies in English and Drama at Homerton College, Cambridge. I joined the Shakespeare Institute in January 2013.

I was on the board of the British Shakespeare Association from 2002-2010 and Chair from 2008-10. My first monograph, Shakespearean Verse Speaking was published by Cambridge University Press in January 2010, and in July 2012 won the Shakespeare’s Globe First Book Award, as a result of which I was invited to give public lectures at Shakespeare’s Globe, Cheltenham Literary Festival and the Shakespeare Institute.  Following these lectures Shakespeare's Globe and The Shakespeare Institute have collaborated on a series of Verse Speaking Symposia - 'The End of Shakespeare's Verse?' in which Giles Block and I have presented our ideas about verse speaking in venues in Staunton Virginia, New York, Stratford Ontario, Stratford upon Avon and at Shakespeare's Globe in London. 

I completed a second monograph – Shakespeare for Young People: Productions, Versions and Adaptations for Bloomsbury Arden in 2013 – and am now writing Shakespeare in the Theatre: Nicholas Hytner for Arden Bloomsbury.

I was recently appointed one of the general editors of the new Arden Shakespeare in Performance Editions with Michael Dobson and Simon Russell Beale.  I am currently editing A Midsummer Night’s Dream and Hamlet for the series.

I have contributed chapters to King's College Cambridge 1415-2015 (Harvey Miller), Shakespeare Beyond English (CUP), Shakespeare in Stages (CUP), The Children’s Literature Handbook (Routledge), The Oxford Companion to Shakespeare’s Poetry (OUP) and The Great Shakespeareans: Gielgud, Olivier, Ashcroft, Dench (Bloomsbury Arden) and the supplementary material on Much Ado About Nothing for the Greenwood Companion to Shakespeare.

I have written a number of journal articles including the only interview given by David Tennant on his performance as Hamlet.  In 2013 I edited a special edition of Shakespeare journal for Routledge on  ‘Shakespeare and Authenticity’.

I am currently co-editing a book entitled The Palgrave Handbook of the History of Women on Stage for Palgrave Macmillan, for which I am writing a chapter on ‘Giving Women a Voice: Updating the Classics’.  I am also writing a chapter on Punctuation in Drama for a collection of essays on Punctuation in Modern English Literature.

I am represented for academic presenting work by Sara Cameron at Take Three Management. I acted as an academic advisor/ interviewee on the first and second series of Shakespeare Uncovered (Thirteen/ BBC/ Sky) and have recently been appointed advisor on the third series. I am visiting professor of Shakespeare and Renaissance drama at the University of ICES, France.


My teaching is largely focussed in the areas of Shakespeare in performance and Shakespeare for young people.  I convene the MA routes in Shakespeare and Theatre and Shakespeare and Education and co-convene the MA in Shakespeare and Creativity.

I convene the modules - ‘Shakespeare and Creative Practice’, ‘Shakespeare and Pedagogy’ and ‘The Shakespeare Ensemble’ and teach on the 'Shakespeare's Theatre' and ‘History of Performance’ modules.

I feel strongly that students can benefit greatly from practical exploration of Shakespeare’s work in areas of both original practices and contemporary performance, particularly in terms of appreciating the impact of elements such as space, casting, textual choices, voice, movement, dialect and design. 

Postgraduate supervision

I currently supervise PhDs in a range of areas connected to the History of Shakespeare in Performance. I am interested in supervising PhDs in areas of Shakespeare in performance, Shakespeare’s language, Shakespeare and adaptation and Shakespeare for young people.


I am currently writing a book about Nicholas Hytner for the Arden Bloomsbury series, Shakespeare in the Theatre. I am one of the general editors of the Arden Shakespeare Performance Editions, for which series I am editing A Midsummer Night’s Dream and Hamlet. I am co-editing a collection of essays – The Palgrave Handbook of the History of Women on Stage, for which I am also writing a chapter. I am also writing an essay on Punctuation in Drama and am undertaking research into editing Shakespeare for performance.

Other activities

I have been on the organising committees for a number of conferences, bringing together academics, theatre practitioners, teachers and students, the most recent being The Cambridge Shakespeare Conference in 2011, which attracted nearly 200 delegates from a range of fields. 

I continue to enjoy performing and directing. In 2010 I artistically directed and performed in the first site specific promenade production of Hamlet around Kronborg Castle, Helisingor (Elsinore).

In the last year I have been touring the UK, US and Canada with the Shakespeare's Globe/ Shakespeare Institute symposia series - 'The End of Shakespeare's Verse' and have given a key note lecture at the Blackfriars conference in Staunton, Virginia.

At the moment I am working with National Theatre education on a series of public lectures entitled 'King Lear in Context' to compliment Sam Mendes' production in the Olivier.



  • 2013 - Shakespeare for Young People: Productions, Adaptations and Re-workings (London: Bloomsbury).
  • 2010 - Shakespearean Verse Speaking (Cambridge: CUP)

Book chapters:

  • 2014 - 'Drama in King's College Chapel' in King's College Chapel, Cambridge (Harvey Miller)
  • 2013 - ‘Shakespeare’s Dramatic Line’ in The Oxford Handbook to Shakespeare’s Poetry (Oxford: OUP)
  • Henry V’ in Shakespeare Beyond English (Cambridge: CUP)
  • ‘Laurence Olivier’ in The Great Shakespeareans: Gielgud, Olivier, Ashcroft, Dench (London: Bloomsbury)
  • 2010 - ‘Authenticity in the 21st Century: Propeller and Shakespeare’s Globe’ in Shakespeare in Stages (Cambridge: CUP)


  • 2014 – Special Edition of Shakespeare Journal (Routledge) on ‘Shakespeare and Authenticity’

Journal articles:

  • 2010 - ‘Our scene is alter’d’: Versions and adaptations of Hamlet for young people’ in Literature Compass (Oxford: Blackwell)
  • 2009 - ‘David Tennant: Playing Hamlet’ in Shakespeare Vol. 5 No.3(London: Routledge)
  • 2009 - ‘Romeo and Juliet for the young viewer’ in The New Review of Children’s Literature and Librarianship Vol. 15 Issue 1(London: Routledge)
  • 2008 - ‘The RSC Histories Cycle: Actor and Audience Perspectives’ in Shakespeare Vol. 5 No. 1 (London: Routledge)
  • 2005 - ‘Shakespeare in Performance at the Second Biennial British Shakespeare Association Conference’ in Shakespeare Vol. 1 No. 2(London: Routledge)


  • Shakespeare
  • Shakespeare in Performance
  • Theatre history
  • Dramatic literature

Media experience

Academic advisor and Interviewee on Shakespeare Uncovered (BBC)