CMC Members' Publications

Forthcoming

Books and Editions

  • Ferguson, Rex, The Art of Identification: Forensics, Surveillance, Identity, co-edited with Melissa Littlefield and James Purdon (Penn State University Press, 2019)
  • Geary, Matthew, T. S. Eliot’s Agonistes with Milton, with Dr Islam Issa (Palgrave Pivot)
  • Geary, Matthew, T. S. Eliot and the Mother (Routledge)
  • Harris, Alexandra, The Rising Down [working title] (Faber and Faber)
  • Herford, Oliver (ed.), The Prefaces, by Henry James, vol. 33 of the Cambridge Edition of The Complete Fiction of Henry James (Cambridge University Press)
  • James, David (ed.), ‘Modernism’s Contemporary Affects’, Modernism/modernity cluster (Fall 2018)
  • James, David, Discrepant Solace: Contemporary Literature and the Work of Consolation (Oxford University Press, 2019)
  • James, David (ed.) Modernism and Close Reading (Oxford University Press, 2020)
  • Mourant, Chris, Katherine Mansfield and Periodical Culture (Edinburgh University Press, 2019)
  • Waddell, Nathan, Wyndham Lewis and his Age: Writing Politics, Resisting Tyranny (Princeton University Press)
  • Waddell, Nathan (ed.), Snooty Baronet, by Wyndham Lewis, vol. 9 of the Oxford Edition of Wyndham Lewis (Oxford University Press)
  • Waddell, Nathan, Moonlighting: Beethoven and Literary Modernism (Oxford University Press, 2019)

Articles and Essays

  • Ferguson, Rex, ‘Trials and the Impressionism of Advocacy’, in The Oxford Handbook of Law and Humanities, ed. Maks Del Mar, Simon Stern, and Bernadette Meyler (Oxford University Press, 2019).
  • Ferguson, Rex, ‘Registering the Charge: Mood, Memory and Fiction in Lawrence Durrell’s The Alexandria Quartet’, in Mood: Aesthetics, Psychology, Philosophy, ed. Birgit Breidenbach and Thomas Docherty (Routledge, 2019)
  • Gąsiorek, Andrzej, ‘“A Language Worth the Trouble of Learning”: Carl Theodor Dreyer’s The Passion of Joan of Arc’, in Scott W. Klein and Michael Valdez Moses (eds), A Modernist Cinema (Oxford University Press)
  • Gąsiorek, Andrzej, “‘(The Knocking) Has Never Stopped’: Jean Rhys’s (Post)colonial Modernism’, in Richard Begam and Michael Valdez Moses (eds), Modernism and Postcolonialism: Anglophone Literature, 1958 to the Present (Oxford University Press)
  • Geary, Matthew, ‘T. S. Eliot’s Agonistes with Milton I: Religion’, Milton Quarterly
  • Geary, Matthew, ‘Transforming Modernist Masculinities (or not): Eliot, Lawrence and Joyce’, Modernism/modernity
  • Geary, Matthew, ‘The Waste Land’s “infant hydrocephalus”’, Notes and Queries
  • James, David, ‘Affective Vocabularies: Literature and Feeling after 1890’, in The New Modernist Studies, ed. Douglas Mao (Cambridge University Press, 2020)
  • Mourant, Chris, ‘Rebecca West, the Forgotten Vorticist?’, Modernist Cultures, 14.2 (2019)
  • Mourant, Chris, ‘Beatrice Hastings in Paris’, Katherine Mansfield Studies, 11 (2019)
  • Mourant, Chris and Natasha Periyan, ‘Home and Homeland: English National Identity in the Women’s Magazines of Newnes and Pearson’, in Women’s Periodicals and Print Culture in Britain, 1890s-1920s: The Modernist Period, ed. Faith Binckes and Carey Snyder (Edinburgh University Press, 2019)
  • Mourant, Chris, ‘We Moderns: Katherine Mansfield and Edwin Muir in The New Age’, in Aphoristic Modernity, ed. Kostas Boyiopoulos and Michael Shallcross (Brill, 2018)
  • Waddell, Nathan, ‘Ford’s Artistic Contexts: Family and Music’, in Laura Colombino, Sara Haslam, and Seamus O’Malley (eds), The Routledge Research Companion to Ford Madox Ford (Routledge)
  • Zimmerman, Emma, ‘Uncanny Cities: Urban Geographies and Metropolitan Life in the 1930s’, in Benjamin Kohlmann and Matthew Taunton (eds), A History of 1930s British Literature (Cambridge University Press)

Published

Books

  • Cran, Rona, Collage in Twentieth-Century Art, Literature, and Culture (Ashgate/Routledge, 2014)
  • Dobson, Eleanor and Gemma Banks (eds), Excavating Modernity: Physical, Temporal, and Psychological Strata in Literature, 1900-1930 (Routledge, 2018)
  • Dobson, Eleanor and Daisy Gudmunsen (eds), Scrutinizing Beauty, MHRA Working Papers in the Humanities Vol. 12 (MHRA, 2018)
  • Ferguson, Rex, Criminal Law and the Modernist Novel: Experience on Trial (Cambridge: Cambridge University Press, 2013)
  • Gąsiorek, Andrzej, A History of Modernist Literature (Blackwell, 2015)
  • Gąsiorek, Andrzej and Nathan Waddell (eds), Wyndham Lewis: A Critical Guide (Edinburgh University Press, 2015)
  • Greenberg, Jonathan and Nathan Waddell (eds), ‘Brave New World’: Contexts and Legacies (Palgrave Macmillan, 2016)
  • Harris, Alexandra, Weatherland: Writers and Artists under English Skies (Thames and Hudson, 2015)
  • Herford, Oliver, Henry James’s Style of Retrospect: Late Personal Writings, 1890-1915 (Oxford University Press, 2016)
  • James, David, Modernist Futures: Innovation and Inheritance in the Contemporary Novel (Cambridge University Press, 2012)
  • James, David (ed), The Legacies of Modernism: Historicising Postwar and Contemporary Fiction (Cambridge University Press, 2012)
  • James, David (ed), The Cambridge Companion to British Fiction since 1945 (Cambridge University Press, 2015)

Articles and Essays

  • Dobson, Eleanor, ‘Ruby Lips and Whitby Jet: Dracula’s Language of Jewels’, Gothic Studies, 20.1-2 (2018): 124-39
  • Dobson, Eleanor, ‘The Sphinx at the Séance: Literature, Spiritualism, and Psycho-Archaeology’, in Excavating Modernity: Physical, Temporal and Psychological Stratification in Literature, 1900-1930, ed. Eleanor Dobson and Gemma Banks (London: Routledge, 2018): 83-102
  • Ferguson, Rex, ‘In Search of Lost Time and the Attunement of Jealousy’, Philosophy and Literature, 41.1A (2017): 213-32
  • Ferguson, Rex, ‘Gumbrecht, Faulkner and the Presence of Heat’, Textual Practice, 31.7 (2017): 1361-78
  • Ferguson, Rex, ‘Legal Modernism’, in Cambridge Critical Concepts: Law and Literature, ed. Kieran Dolin (Cambridge University Press, 2017): 188-202
  • Ferguson, Rex, ‘The Literary Hand: Handwriting, Fingerprinting, Typewriting’, Critical Quarterly, 56.1 (April 2014): 40-55
  • Ferguson, Rex, ‘Personal Impressions: Fingerprints, Freud and Literary Impressionism’, New Formations, 79 (Autumn 2013): 43-63
  • Ferguson, Rex, ‘Gatsby and Garbage’, in Aesthetic Fatigue: Modernity and the Language of Waste, ed. John F. M. Clark and John Scanlan (Cambridge Scholars Publishing, 2013): 206-19
  • Ferguson, Rex, ‘From Experience to Expertise: Witnessing in the Criminal Trial and Ford Madox Ford’s The Good Soldier’, Law and Humanities, 4.2 (December 2010): 169-94
  • Ferguson, Rex, ‘Blind Noise and Deaf Visions: Henry Green’s Caught, Synaesthesia and the Blitz’, Journal of Modern Literature, 33.1 (Fall 2009): 102-16
  • Gąsiorek, Andrzej, ‘Art and Its Others: Aesthetics as Politics’, in The Cambridge History of Modernism, ed. Vincent Sherry (Cambridge University Press, 2016): 442-56
  • Gąsiorek, Andrzej, “Words Without Reason”: State Power and the Moral Life in Brave New World’, in Brave New World: Contexts and Legacies, ed. Nathan Waddell and Jonathan Greenberg (Palgrave Macmillan, 2016): 211-26
  • Geary, Matthew, ‘The ‘Agèd Eagle’: Jacob Epstein, T. S. Eliot (1952)’, Midlands Art Papers, 2 (July 2018)
  • Geary, Matthew, ‘T. S. Eliot’s Coriolanus’, The Journal of the T. S. Eliot Society (May 2017)
  • Geary, Matthew, ‘T. S. Eliot’s “If time and space as sages say” in Charlotte Eliot’s Hand’, Notes and Queries, 64.1 (March 2017): 151-4
  • Geary, Matthew, ‘Maternal Allegory: Death and the Mother, Faith and Revelation in “Ash-Wednesday”’, in Scott Freer and Michael Bell (eds), Religion and Myth in T. S. Eliot’s Poetry (Cambridge Scholars Publishing, 2016): 141-64
  • Geary, Matthew, ‘“Oh how often you toy with me, crafting illusions!”: Mother-Son Love in T. S. Eliot’s “La Figlia Che Piange”’, Studies in the Maternal, 7.1 (2015): 1-22
  • Harris, Alexandra, ‘Observances’, in Tacita Dean, Landscape, Portrait, Still Life (Royal Academy of Arts, 2018)
  • Herford, Oliver, ‘Commencement or Commemoration’, Literary Imagination, 15 (2013), 20-34
  • Herford, Oliver, ‘James and the Habit of Allusion’, in Henry James’s Europe: Heritage and Transfer, ed. Annick Duperray et al. (Open Book Publishers, 2011), 179-89
  • Herford, Oliver, ‘The Roman Lotus: Digestion and Retrospect’, The Henry James Review, 31 (2010), 54-60
  • James, David, ‘The Novel as Encyclopaedia’, in The Cambridge Companion to the Novel, ed. Eric Bulson (New York: Cambridge University Press, 2018): 74-90
  • James, David, ‘In Defense of Lyrical Realism’, diacritics, 45.4 (2017): 69-91
  • James, David, ‘Critical Solace’, New Literary History, 47.4 (Autumn 2016): 481-504
  • James, David, ‘Modernism and the Urban Imaginary: Nationalism, Internationalism, and Cosmopolitanism’, in The Cambridge History of Modernism, ed. Vincent Sherry (New York: Cambridge University Press, 2016): 235-49
  • James, David, ‘Afterword: The Poetics of Perpetuation’, in Modernist Afterlives in Irish Literature and Culture, ed. Paige Reynolds (New York: Anthem, 2016), 175-81
  • James, David, ‘Modern/Altermodern’, in Time: A Vocabulary of the Present, ed. Amy J. Elias and Joel Burges (New York: New York University Press, 2016): 66-81
  • James, David, ‘Decentring Englishness’, in The Oxford History of the Novel in English, Volume VII: British and Irish Fiction since 1940, ed. Peter Boxall and Bryan Cheyette (Oxford: Oxford University Press, 2016): 435-49
  • James, David, ‘Afterword’, in The Contemporaneity of Modernism: Literature, Media, Culture, ed. Michael D’Arcy and Mathias Nilges (New York: Routledge, 2015): 216-24
  • James, David and Urmila Seshagiri, ‘Metamodernism: Narratives of Revolution and Continuity’, PMLA, 129.1 (January 2014): 87-100
  • James, David, ‘Capturing the Scale of Fiction at Mid-Century’, in Regional Modernisms, ed. Neal Alexander and James Moran (Edinburgh: Edinburgh University Press, 2013): 104-23
  • James, David, ‘“Seeing Beneath the Formlessness”: James Baldwin, Toni Morrison, and Restorative Urbanism’, in Utopianism, Modernism, and Literature in the Twentieth Century, ed. Nathan Waddell and Alice Reeve-Tucker (Basingstoke: Palgrave, 2013): 168-81
  • James, David, ‘Spaces and Places: Around the Globe’, in The Cambridge History of the English Novel, ed. Robert Caserio and Clement Hawes (New York: Cambridge University Press, 2012): 500-16
  • James, David, ‘Mapping Modernist Continuities’, in The Legacies of Modernism, ed. David James (Cambridge: Cambridge University Press, 2012): 1-19
  • James, David, ‘Integrity after Metafiction’, Twentieth-Century Literature, 57.3 (Fall 2011): 492-515
  • James, David, ‘Modernist Narratives: Revisions and Re-readings’, in The Oxford Handbook of Modernisms, ed. Peter Brooker, Andrzej Gasiorek, Deborah Longworth, and Andrew Thacker (Oxford: Oxford University Press, 2010): 85-107
  • James, David, ‘Localizing Late Modernism: Interwar Regionalism and the Genesis of the “Micro Novel”’, Journal of Modern Literature, 32.4 (Summer 2009): 43-64
  • James, David, ‘Realism, Late Modernist Abstraction, and Sylvia Townsend Warner’s Fictions of Impersonality’, Modernism/modernity, 12.1 (January 2005): 111-31
  • Mourant, Chris, ‘Modernist Emotions: The Critical Writings of Katherine Mansfield and Virginia Woolf’, in Katherine Mansfield and the Bloomsbury Group, ed. Todd Martin (Bloomsbury, 2017): 161-80
  • Mourant, Chris, ‘“Alors, Je Pars”: Katherine Mansfield and the New Age, 1915-17’, in Katherine Mansfield’s French Lives, ed. Claire Davison and Gerri Kimber (Brill, 2016): 108-124
  • Mourant, Chris, ‘Parodic Translation: Katherine Mansfield and the “Boris Petrovsky” Pseudonym’, Katherine Mansfield Studies, 7 (2015): 15-30
  • Waddell, Nathan, ‘Modernism and Music: A Review of Recent Scholarship’, Modernist Cultures, 12.2 (Spring 2017): 316-30
  • Waddell, Nathan, ‘Lawrence Atkinson, Sculpture, and Vorticist Multimediality’, Modernism/modernity Print Plus, 1.3 (September 2016): n.p.
  • Waddell, Nathan, ‘Lewis and Fascism’, in Tyrus Miller (ed.), The Cambridge Companion to Wyndham Lewis (Cambridge University Press, 2016): 87-99
  • Waddell, Nathan, ‘Signs of the T: Aldous Huxley, High Art, and American Technocracy’, in Jonathan Greenberg and Nathan Waddell (eds), ‘Brave New World’: Contexts and Legacies (Palgrave Macmillan, 2016): 31-49
  • West, Emma, ‘Twentieth-Century British Periodicals: Words and Art on the Printed Page, 1900-1999, 4 July 2017, University of Reading, UK’, Journal of Modern Periodical Studies, 8.1 (2017): 100-106
  • West, Emma, ‘Cover Stars and Covert Addresses: Strategies for Reading Magazines Across the “Great Divide”’, in Writing Literary History 1900-1950, ed. Bram Lambrecht and Matthias Somers (Peeters, 2018): 85-102
  • Zimmerman, Emma, ‘“Always the same stairs, always the same room”: The Uncanny Architecture of Jean Rhys’s Good Morning, Midnight’, Journal of Modern Literature, 38.4 (2015): 74-92
  • Zimmerman, Emma, ‘A “tottering lace-like architecture of ruins”: The Wartime Home in Elizabeth Bowen’s The Heat of the Day’, Literary Geographies, 1.1 (2015): 42-61