My research focuses on exploring specific medical discourses and practices, such as anatomical dissection, in order to analyse contemporary performance practice. My work has examined constructions of power and knowledge, visuality, spectatorship and theatricality in the work of ORLAN, Marissa Carnesky, Kira O’Reilly and the Bodyworlds Exhibition, for instance, and has been published in a number of journals and edited collections, including Performance Research and Contemporary Theatre Review. In February 2016, my co-edited book Performance and the Medical Body (with Dr Alex Mermikides) was published by Bloomsbury Methuen.
I am currently working on a monograph titled Performing Specimens: Biomedical Display in Contemporary Performance, to be published in 2019 by Bloomsbury Methuen. This explores the staging and the display of the ‘body as specimen’ in contemporary performance practice and within wider visual culture. I have recently completed a book chapter for Live Art in the UK: Contemporary Performances of Precarity, on the live artist Martin O’Brien, which explores some of these issues around specimenhood.