Dr Gianna Bouchard MA, PhD, FHEA, PGCLTHE

Gianna Bouchard

Department of Drama and Theatre Arts
Senior Lecturer

Contact details

Telephone
+44 (0)121 414
Address
The Old Library (SOVAC)
998 Bristol Road
Selly Oak
Birmingham
B29 6LG

I joined the Department in September 2017, having taught at Anglia Ruskin University since 2004, prior to which I worked as a research assistant and doctoral student at the University of Roehampton. My research focuses on the interface between medicine and performance.

Qualifications

  • BA Drama and Theatre Studies; University of Roehampton 
  • MA Critical Theory (The Body and Representation); University of Reading.
  • PhD funded by the AHRC; University of Roehampton
  •  Fellow of the Higher Education Academy
  • Postgraduate Certificate in Learning and Teaching in Higher Education

Biography

I originally trained in musical theatre at the Italia Conti Academy in London, followed by a number of years teaching drama, classical ballet and modern dance. Going to university led me to my PhD at the University of Roehampton and a change in focus to theatre and performance.

My PhD was titled ‘Performing the Anatomised Body’ and initiated my interest in the connections between medicine and performance. My research has been published in Performance Research, Contemporary Theatre Review and a range of edited collections. I have also edited a special edition of Performance Research on medicine and a Methuen book titled Performance and the Medical Body.

My teaching has included a wide range of theoretical and practical modules at both undergraduate and postgraduate levels, including those focused on performance studies, politics and performance, dance theatre, live art, and devising performance.

Teaching

I have been teaching for over twenty years in a variety of contexts and disciplines, from ballet to contemporary theatre making. This has also covered all age ranges, from children to adults. I have been teaching in higher education since 2002, covering theory and practice. In the Department, I teach on core and optional modules, including Theatre Practice, Modern Drama, Performance: Theory, Practice and Critique, and I convene the Acting module.

Postgraduate supervision

I am interested in supervising postgraduate projects in any aspect of performance and medicine, in live art, in the politics of identity and in contemporary performance practice. I am currently co-supervising the following practice-as-research PhD candidates:

  • Kelly Green: Chav Ballet: Developing a working-class female aesthetic through performance
  • Mehrdad Seyf: Interdisciplinarity as Cultural and Spatial Practice

Research

My research focuses on exploring specific medical discourses and practices, such as anatomical dissection, in order to analyse contemporary performance practice. My work has examined constructions of power and knowledge, visuality, spectatorship and theatricality in the work of ORLAN, Marissa Carnesky, Kira O’Reilly and the Bodyworlds Exhibition, for instance, and has been published in a number of journals and edited collections, including Performance Research and Contemporary Theatre Review. In February 2016, my co-edited book Performance and the Medical Body (with Dr Alex Mermikides) was published by Bloomsbury Methuen.

I am currently working on a monograph titled Performing Specimens: Biomedical Display in Contemporary Performance, to be published in 2019 by Bloomsbury Methuen. This explores the staging and the display of the ‘body as specimen’ in contemporary performance practice and within wider visual culture. I have recently completed a book chapter for Live Art in the UK: Contemporary Performances of Precarity, on the live artist Martin O’Brien, which explores some of these issues around specimenhood.

Other activities

I am co-convenor of a working group with Alex Mermikides (Guildhall School) for the Theatre and Performance Research Association, on performance and science, which has been running since September 2015. My recent seminar and conference presentations include:

  • January 2016 Invited speaker on research seminar panel on ‘Staging the Wreckage’ at University of Surrey
  • June 2015 Paper at Association of Medical Humanities conference, Dartington, on medical chimerism and performance
  • April 2015 Invited ethics panel member at Live Art Development Agency, for “Trust Me, I’m an Artist” event – public event about ethics and performance & invited specialist to interdisciplinary dialogue on failure in medicine and performance, Imperial College, London.
  • February 2015 Invited speaker at Cambridge University Medical Humanities Society & invited panel member for performance and medicine event at University of Kent
  • January 2015 Invited speaker at Medicine in Motion evening at Chisenhale Dance Space

Publications

  • Bouchard, G. (forthcoming 2019) Performing Specimens: Biomedical Display in Contemporary Performance, Bloomsbury Methuen [monograph under contract].
  • Bouchard, G. & P. Duggan, eds. (forthcoming 2019) ‘Staging the Wreckage’. Performance Research [special journal issue scheduled for publication in 2019].
  • Bouchard, G. (2017 forthcoming) ‘Sparkles and Sputum: The Sick Body of Martin O’Brien’. In Chatzichristodoulou, M. ed., Live Art in the UK: Contemporary Performances of Precarity, London: Methuen Drama [book chapter].
  • Bouchard, G. (2016) ‘The Pain of Specimenhood’ in Bouchard, G. & A. Mermikides, eds. (2016) Performance and the Medical Body. London: Bloomsbury Methuen [book chapter]
  • Bouchard, G. & A. Mermikides, eds. (2016) Performance and the Medical Body. London: Bloomsbury Methuen [book]
  • Bouchard, G. & M. O’Brien, eds. (2014) ‘On Medicine’. Performance Research, Volume 19. [special journal issue]
  • Bouchard, G. (2012) ‘Skin Deep: Female Flesh in UK Live Art Since 1999’ in Contemporary Theatre Review, Special Issue on Live Art in the UK, 2012
  • Bouchard, G. (2010) ‘Bodyworlds and Theatricality: ‘Seeing death, live’’ in Performance Research, 15 (1), Memento Mori, pp. 50-57
  • Bouchard, G. (2010) ‘Incisive Acts: ORLAN Anatomised’ in S. Donger & S. Shepherd, eds. (2010) ORLAN: A Hybrid Body Of Artworks, London: Routledge
  • Bouchard, G. (2009) ‘Haptic Visuality: The Dissective View in Performance’ in Oddey, A., Modes of Spectating, Bristol: Intellect
  • Bouchard, G. (2008) ‘Be Not Faithless but Believing: Illusion and Doubt in the Anatomy Theatre’ in Bleeker, M. (2008) Anatomy Live: Performance and the Operating Theatre, Amsterdam, Amsterdam University Press