Recent publications
Book
Pattie, D & Albiez, S (eds) 2016, Brian Eno: Oblique Music. 1st edn, Bloomsbury, London, UK ; New York . <https://www.bloomsbury.com/uk/brian-eno-9781441155344>
Article
Pattie, D 2018, '‘At me too someone is looking...’: Coercive Systems in Beckett’s Theatre.', Samuel Beckett Today - Aujourd hui, vol. 30, no. 2, pp. 227-238. https://doi.org/10.1163/18757405-03002004
Pattie, D 2017, 'The Stuff of Performance: Beckett, Theatre Marginalia, and the Archive', Samuel Beckett Today - Aujourd hui, vol. 29, no. 2, pp. 231-242. https://doi.org/10.1163/18757405-02902002
Pattie, D 2016, ''Let What Happens Happen': The Whitelaw Archive', Journal of Beckett Studies, vol. 25, no. 2, pp. 206-223. https://doi.org/10.3366/jobs.2016.0171
Pattie, D 2016, 'Dissolving into Scotland: National Identity in Dunsinane and The Strange Undoing of Prudencia Hart', Contemporary Theatre Review, vol. 26, no. 1, pp. 19-30. https://doi.org/10.1080/10486801.2015.1123700
Pattie, D 2016, 'Popular Culture', Year's Work in Critical and Cultural Theory, vol. 24, no. 1, pp. 439-458. https://doi.org/10.1093/ywcct/mbw022
Pattie, D 2016, 'The Events: Immanence and the Audience', Journal of Contemporary Drama in English, vol. 4, no. 1, pp. 1-12. https://doi.org/10.1515/jcde-2016-0005
Pattie, D 2015, 'Popular Culture: Music', Year's Work in Critical and Cultural Theory, vol. 23, no. 1, pp. 308-326. https://doi.org/10.1093/ywcct/mbv014
Pattie, D 2014, 'Popular Culture', Year's Work in Critical and Cultural Theory, vol. 22, no. 1, pp. 354-372. https://doi.org/10.1093/ywcct/mbu018
Chapter (peer-reviewed)
Pattie, D 2016, 7:84 Theatre Companies. in J Bull (ed.), British Theatre Companies: 1965-1979: British Theatre Companies: from Fringe to Mainstream. Methuen, London, pp. 251-274.
Pattie, D 2016, Taking the Studio by Strategy. in S Albiez & D Pattie (eds), Brian Eno : Oblique Music. Bloomsbury, New York, pp. 49-68.
Pattie, D 2016, The Arrival of Godot: Beckett, Cultural memory, and the 1950s. in D Tucker & T McTighe (eds), Staging Beckett in Great Britain. Bloomsbury, pp. 3-20.
Pattie, D 2016, The Bogus Men: Eno, Ferry, and Roxy Music. in Brian Eno: Oblique Music. Bloomsbury, New York, pp. 11-28.
Chapter
Pattie, D 2016, Stone Tapes: Ghost Box, Nostalgia and Post War England. in S Whiteley & S Rambarran (eds), The Oxford Handbook of Music and Virtuality. Oxford University Press, Oxford, pp. 392-408.
Book/Film/Article review
Pattie, D 2022, 'Mark Brown. Modernism and Scottish Theatre since 1969: A Revolution on Stage. Cham: Palgrave Macmillan, 2019, xvii + 254 pp., € 80.24 (hardback), € 24.99 (softcover)', Journal of Contemporary Drama in English, vol. 10, no. 1, pp. 259-260. https://doi.org/10.1515/jcde-2022-0019
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