Dr Catherine Lester

Dr Catherine Lester

Department of Film and Creative Writing
Lecturer in Film and Television

Contact details

University of Birmingham
B15 2TT

My current research focuses on the intersections between children’s culture and the horror genre. My other teaching and research interests include children’s cinema, animation, and representation in film and television.


  • PhD Film and Television Studies, University of Warwick
  • MA Popular Cultures, University of Hull
  • BA English and Film Studies, University of Hull


I completed my PhD at the University of Warwick in 2016, which explored horror films made for children in Hollywood cinema. I was also a sessional tutor at Warwick from 2014-2018, and at the University of Worcester in 2017. Prior to doctoral study, I obtained a BA English and Film Studies and MA Popular Cultures at the University of Hull, before taking a brief sojourn into publishing in the areas of children’s books (Random House Children's Publishers, My Little Big Town) and academic journals (Taylor & Francis).


  • Introduction to Film (Year One)
  • Film Theory and Criticism (Year Two)
  • Children’s Film and Television (Year Three)

Postgraduate supervision

Children's media, horror, genre studies, animation, representation in any of the above.

Please note that I am unable to act as primary supervisor on Creative Writing projects.


My primary research area is horror films for children in Hollywood cinema. This was the basis of my PhD thesis (available here) and I am developing this into a monograph, entitled Horror Films for Children: Fear and Pleasure in American Cinema, to be published by I.B. Tauris/Bloomsbury. My journal article on the subject in Velvet Light Trap (2016) was awarded runner-up for Best Doctoral Student Article 2018 by the British Association of Film, Television and Screen Studies and was short-listed for Screen’s Annette Kuhn Essay Award 2017.

I am continuing to explore the intersections between children’s media and the horror genre with ongoing projects on children’s horror anthology programmes (e.g. Goosebumps) and the relationship between animation and horror in children’s cinema. This interest in animated horror has led to a symposium on Watership Down (1978) which explores the production, aesthetics, reception and ongoing cultural legacy of this landmark of British animation. I am also interested issues of representation in children's cinema, animation and popular culture more broadly.


Recent publications


Lester, C 2016, 'The children’s horror film: characterizing an “Impossible” subgenre', Velvet Light Trap, vol. 78, pp. 22-37. https://doi.org/10.7560/vlt7803


Lester, C 2019, Frozen hearts and fixer uppers: villainy, gender, and female companionship in Disney’s frozen. in AM Davis (ed.), Discussing Disney. John Libbey & Company/University of Indiana Press, Bloomington, Indiana, pp. 193-216. <http://www.iupress.indiana.edu/product_info.php?cPath=1037_5888&products_id=810027>

Lester, C 2019, Giving Kids Goosebumps: uncanny aesthetics, cyclic structures and anti-didacticism in children’s horror anthologies series. in S Abbott & L Jowett (eds), Global TV Horror. Horror Studies, University of Wales Press. <https://www.uwp.co.uk/book/global-tv-horror/>

View all publications in research portal