16th December - 20th Anniversary event: MA in Film and Television
9th December - Where's My Igloo Gone
7th December - Brave New World: an immersive 'Shakespearience'
6th December - Surveillant Landscapes: New directions in linguistic landscape research
5th December - Bad books: in the library with Joe Orton and Kenneth Halliwell
1st December - Shakespeare's walking-stick: or, what the Victorians made of Shakespeare
1st-3rd December - Orlando
30th November - Discourse and dialogue: Annotating and aggregating corpus data
30th November - Document, audience, affect: festival performances in Los Angeles of the 1970s and 80s
29th November - Unmasking 'The Confessional Unmasked'
29th November - The people's critical discourse analysis: an investigation of the 'moral order' of language as seen by Mass Observation project correspondents in the 1980s
28th November - The uses and limitations of current sign language corpora
28th November - Sound as affect on/as meaning and nervous receptivity
24th November - Shakespeare in the Rough and Uneven Cotswolds
22nd November - Holocaust poetry as communication
18th November - Centre for Literary Editing and the Materiality of the Text symposium
17th November - Middleton Reading Shakespeare
16th November - Introduction to Sketch Engine
16th November - On the radical political potential of performance: witnessing, implication and ethics in representing extremity
15th November - Retweets in social television practices: from keyword analysis to co-tellership
15th November - Q&A with playwright Anders Lustgarten
14th November - What is ambient literature?
10th November - Love, Duty and Loathing: Siblings and Half-Siblings in Early Modern England
9th November - Introduction to AntConc
8th November - The disappointment of Wordsworth's letters
8th November - Title to be confirmed
4th November - A corpus-based perspective on the US presidential election through a FireAnt analysis of candidates' social network interactions
2nd November - Introduction to Web as Corpus
27th October - 'Collaboration in the 'Ho' Plays: How did they do it?
27th-29th October - Odyssey
26th October - Speech presentation in 19th century literature: A hands-on approach
25th October - Blackmail, sodomy, and sex work: Oscar Wilde on trial
25th October - The Discourse of Sexual Health Advice
20th October - Shakespeare and live broadcast theatre - the backstory'
18th October - 45 Years of Budget Speech metaphors: 1971-2016
13th October - Shakespeare as Scripture: Ancient and Modern Models for Reading Sacred Texts
11th October - Discourse analysis of researcher vignettes: a reflexive approach to exploring co-production in a large diverse team
10th October - The COVE and SHORE: responding to the crisis facing the humanities
6th October - Anglo to Celto-Nordic Shakespeare
4th October - Discourse analysis of gender and age applied to the wider world of business
3rd October - Exploring frequency and textual units
3rd October - When does an audiobook stop being a book?
29th September - Shakespeare, Rome and the Institution of Theatre
15th-18th September - Screening Rights Film Festival 2016
28th July - An evening with Ruth Gilligan and Writing West Midlands
14th July - Tony Garnett, The Day The Music Died – a life lived behind the lens
4th-5th July - Environment, Economy and Climate Change: Stages in Transition
1st July - The Telltale
1st July - Britannia's Honour and London's Tempe
30th June - The Spanish Gypsy
30th June - The Sun's Darling
29th June - The Noble Spanish Soldier
29th June - The Welsh Ambassador
28th June - Match Me in London
28th June - Grammar lessons and language games: translating Tagore and Wittgenstein on children's education
28th June - The Wonder of a Kingdom
27th June - The Virgin Martyr
27th June - The Witch of Edmonton
24th June - If It Be Not Good, the Devil is In It
24th June - Troia Nova Triumphans
23rd June - The Roaring Girl
23rd June - The Bloody Banquet
22nd June - Northward Ho!
22nd June - The Whore of Babylon
21st June - Westward Ho!
21st June - The Honest Whore
20th June - Pageantry for the Royal Entry of King James I into London
20th June - The Patient Man and the Honest Whore
20th June - Sinclair Lecture 2016
20th-24th June - Corpus Linguistics Summer School 2016
17th June - Sir Thomas Wyatt
17th June - The Merry Devil of Edmonton
16th June - The Untrussing of the Humorous Poet
16th June - Blurt, Master Constable
16th-17th June - Directing Projects
15th June - The Spanish Moor's Tragedy
15th June - Sir Thomas More
14th June - Old Fortunatus
14th June - Patient Grissil
13th June - A Warning for Fair Women
13th June - The Shoemakers' Holiday
11th June - Screening of film students' showreel
11th June - Walking Writing Workshop with Helen Cross
10th June - Screening of film students' showreel
10th June - Macbeth, Macbeth
10th June - Ideas People: creative performance
9th June - Screening of film students' showreel
9th-11th June - Poor Tom
9th-11th June - Page, Stage and Screen
4th June - Hot Off The Press
3rd June - Playwrights' Workshop
3rd June - Speaking Shakespeare in the English-Speaking Cinema
1st June - A Reading of Macbeth, Macbeth
26th-27th May - Practical Projects in Drama
24th May - Better together? Exploring research collaboration
23rd May - Digital and social media workshop
23rd May - Digital and social media
21st May - The Dark Horse
20th May - Postgraduate symposium
20th May - Researching Regietheater: The work of German director Thomas Ostermeier at Schaubühne Berlin
20th May - The Dark Horse
19th May - The Dark Horse
17th May - Can you shut off the first language in a second language?
16th May - The contemporary "Middlebrow"
13th May - Kingdoms are Clay
9th May - Postcolonial poetics
6th-8th May - Theatre Praxis
25th April - Kill John Bull with Art: Modernism, Literary Elites and the Battle for Culture
22nd April - BELP 2016
22nd April - Ode to Shakespeare
31st March - Text-patterning in legal texts
22nd March - Towards a corpus linguistics of sign languages: The British Sign Language Corpus Project
17th March - Shakespeare and the kingdom of error
17th-19th March - The Good Sisters
15th March - Found in Translation: The influence of L1 word combinations on how idioms are processed in L2
14th March - Jonathan Coe
14th March - New media face culture, cinematic affect, and the recent films of Scarlett Johansson
10th March - Raping Lucrece: grief, remembrance and the politics of affect in Shakespeare
10th March - Gemma Bovery
9th March - Remembering Athens: 17 November 2015-1973-2015
8th March - The mutual influence of the first and second languages in German and English L1 speakers in second language environments
3rd March - Therefore ha' done with words: danced versions of Shakespeare
1st March - Time, Transition and Voice: The changing role of attributions in British sex education texts for teenagers, 1950-2014
29th February - Shadows, not substantial things: music in the works of James Shirley
25th February - Shakespeare Thursday Seminar
24th February - The Sacrifice, the Copy and the Critical Gaze: The Actor's Authenticity and the Commodity Value of Emotions
23rd February - Multimodality, news narratives and citizen journalism: The YouTube coverage of Oscar Pistorius
17th February - Implications and applications of dependency-based phraseology extraction
11th February - Shakespeare, Hegel, and the politics of freedom
11th February - Launching the Corpus Statistics Group
11th-13th February - Big Love
9th February - The Zhuangzi, hermeneutics and (philological) corpus linguistics
8th February - 'Authorship' talks
4th February - Shakespeare Institute open afternoon for prospective students
4th February - Twelfth Night
3rd February - 'Marmoreal Sisterhoods' and 'Mounting a poetic defence against 'fleshliness''
3rd February - 'The South-African "Children of the Mist"' and 'Riding like a Godiva'
3rd February - 'Saint Hunting with Saint Hannah' and 'Tagging Alongside'
2nd February - The making of 'EMMA: Exploring Multimodal Metaphor (and Metonymy) in Advertising': Background, rationale, first results, and future development
26th January - Some possibilities for data-driven analysis of multimodal narratives
21st January - Mastersinger! Shakespeare
20th January - 'The Aeriform Effusion' and 'Coleridge's Motion'
14th January - Strangely moving: Shakespeare's effective kneeling'.