Based in the field of gender history, my project aims to further our understanding of female identity and gender relations in seventeenth-century England by assessing social constructions of womanhood in seventeenth-century English broadside balladry. It takes its lead from recent work in the field which conceives of the broadside ballad as a holistic, ‘multi-media matrix’ rather than simply a literary artefact; the focus will therefore be on the ballad as part of the textual, oral, aural, visual, and performative culture of early modern England.