In this book I write about ‘Montezuma’s Crown’ – the Penacho – which comes to stand for all museum objects, suspended in a shock-proof vitrine in the Weltmuseum in Vienna. While Mexican tourists press against the glass case, making a pilgrimage to see the crown as a way of connecting with a lost Aztec heritage, the uncertain provenance of the headdress makes this an ambiguous relic.
The historical movement of the Penacho from Central America to Central Europe instead speaks of Austria’s thwarted imperial ambitions, while conservators’ insistence that the crown cannot be moved due to its fragility is now used as an excuse to rebuff demands by the Mexican government to repatriate it. I trace the various ways in which the Penacho straddles ontological and epistemological domains and how its suspension in the museum’s vitrine represents a metaphor for the political stalemate in which it is now caught.
Forthcoming with Chicago University Press.
Khadija von Zinnenburg Carroll