Recent publications
Book
Vinzent, J 2019, From Space in Modern Art to a Spatial Art History: Reassessing Constructivism through the Publication "Circle" (1937). SpatioTemporality: Practices-Concepts-Media/ RaumZeitlichkeit: Praktiken-Konzepte-Medien, vol. 6, De Gruyter, Berlin/Boston. https://doi.org/10.1515/9783110595338
Dorsch, S & Vinzent, J (eds) 2017, SpatioTemporalities on the Line: Representations – Practices – Dynamics. SpatioTemporality: Practices - Concepts - Media / RaumZeitlichkeit: Praktiken - Konzepte - Medien, vol. 3, 1st edn, De Gruyter, Berlin. https://doi.org/10.1515/9783110467963
Vinzent, J & Wojtulewicz , C (eds) 2016, Performing Bodies: Time and Space in Meister Eckhart and Taery Kim. Eckhart Text and Studies, vol. 6, vol. 6, Peeters Publishers, Leuven. <http://www.peeters-leuven.be/boekoverz.asp?nr=10119>
Article
Vinzent, J 2020, 'The British Internment of Refugees from Nazi Germany in Kenya during WWII', Yearbook of the Research Centre for German and Austrian Exile Studies, vol. 20, pp. 159-182. <https://brill.com/view/book/edcoll/9789004399532/BP000009.xml>
Vinzent, J 2020, 'The making of modern art through commercial art galleries in 1930s London: the London Gallery (1936 to 1950)', Visual Culture in Britain, vol. 21, no. 2, pp. 145-176. https://doi.org/10.1080/14714787.2020.1738265
Vinzent, J 2019, 'Destabilising Sexed and Ethnic Subjectivity: Reading Queer Photography in Light of Judith Butler', AugenBlick. Konstanzer Hefte zur Medienwissenschaft, vol. 74, no. 0179-2555, pp. 91-103.
Chapter (peer-reviewed)
Vinzent, J 2020, Motility and Mobility of Exile: Gross Breesen’s Institutional Preparation for Migrating from Nazi Germany to Kenya. in R Andress (ed.), Vorstufen des Exils / Early Stages of Exile. Amsterdamer Beiträge zur neueren Germanistik, no. 91, Brill, Leiden, Boston, pp. 71-81.
Dureau, C, Eidinow, E, Maier, H, Malik, A & Vinzent, J 2019, Afterword: porosity, corporeality and the divine. in M Fuchs, A Linkenbach, M Mulsow, B-C Otto, RB Parson & J Rüpke (eds), Religious Individualization: Historical Dimensions and Comparative Perspectives. vol. 1, De Gruyter, Berlin, Boston, pp. 625-630. https://doi.org/10.1515/9783110580853-031
Vinzent, J 2019, Challenging personhood: the subject and viewer of contemporary crucifixion iconography. in M Fuchs, A Linkenbach, M Mulsow, B-C Otto, RB Parson & J Rüpke (eds), Religious Individualization: Historical Dimensions and Comparative Perspectives. vol. 1, De Gruyter, Berlin, Boston, pp. 603-624. https://doi.org/10.1515/9783110580853-030
Vinzent, J & Ingold, T 2017, From lines as geometrical form to lines as meshwork rather than network. in S Dorsch & J Vinzent (eds), SpatioTemporalities on the Line: Representations – Practices – Dynamics. 1st edn, SpatioTemporality: Practices - Concepts - Media / RaumZeitlichkeit: Praktiken - Konzepte - Medien, vol. 3, De Gruyter, Berlin, pp. 13-20. https://doi.org/10.1515/9783110467963-002
Vinzent, J 2016, Austria in "Die Zeitung": The instrumentalisation of Émigré newspapers during WWII and the subversive power of cartoons. in M Stoker & P Lindley (eds), Tributes to Jean Michel Massing: Towards a Global Art History. Harvey Miller Publishers, pp. 323-343. <http://www.brepols.net/Pages/ShowProduct.aspx?prod_id=IS-9781909400382-1>
Vinzent, J 2016, Space and Form in String Sculptures: Naum Gabo, Barbara Hepworth and Henry Moore. in H Aurenhammer & R Prange (eds), Das Problem der Form: Interferenzen zwischen moderner Kunst und Kunstwissenschaft. vol. 18, Gebr. Mann Verlag, Berlin, pp. 289-310. <http://www.reimer-mann-verlag.de/controller.php?cmd=detail&titelnummer=302771&verlag=3>
Vinzent, J 2016, Space, time and body in performance art and Meister Eckhart. in J Vinzent & C Wojtulewicz (eds), Performing bodies: time and space in Meister Eckhart and Taery Kim. Eckhart, Texts and Studies, vol. 6, Peeters Publishers, Leuven, pp. 217-266. <https://www.peeters-leuven.be/detail.php?search_key=9789042933316>
Vinzent, J 2012, Challenging the abstract in late 1930s Britain. in J Mendelson (ed.), Encounters with the 1930s. Museo Nacional Centro de Arte Reina Sofía, Madrid, pp. 140-147.
Chapter
Vinzent, J 2012, El desafío al arte abstracto: El Reino Unido a finales de los años treinta. in J Mendelson (ed.), Encuentros con los años treinta. Museo Nacional Centro de Arte Reina Sofía, Madrid, pp. 140-147.
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