My PhD research compares texts that are crucial to an understanding of the discourse of contemporary German migrant literature and German exile literature from the Nazi era, respectively, proving that in both genres minorities in Germany face similar types of exclusion and discrimination. The texts I am working on are Lion Feuchtwanger’s Wartesaal-trilogy – consisting of Success [Erfolg] (1930), The Oppermanns [Die Geschwister Oppermann] (1933), and Exile [Exil] (1940) – and Abbas Khider’s novels The Village Indian [Der falsche Inder] (2008) and A Slap in the Face [Ohrfeige] (2016).
While most research on both exile literature and migrant literature usually favour a historical or autobiographical interpretation within the same genre, my comparatist investigation examines the situation of different minority groups facing similar challenges in German-speaking literature in a larger historico-cultural context.