2020, Биомеханика для инструкторов. translated by Rose Whyman, Springer Nature.
Whyman, R 2010, Anton Chekhov. Routledge.
Whyman, R 2008, The Stanislavsky System of Acting: Legacy and Influence in Modern Performance. Cambridge University Press.
Whyman, R 2023, 'The science of acting in the Russian Theatre at the beginning of the twentieth century: from the modern epoch to the avant-garde', Russian Literature, vol. 135–137, pp. 297-323. https://doi.org/10.1016/j.ruslit.2022.10.002
Whyman, R 2018, 'Serafima Birman and The Path of the Actress: from the Moscow Art Theatre to People’s Artist of the USSR', New Theatre Quarterly, vol. 34, no. 4, pp. 339-356. https://doi.org/10.1017/S0266464X18000416
Whyman, R 2016, 'Explanations and Implications of ‘psychophysical’ acting', New Theatre Quarterly, vol. 32, no. 2, pp. 157-168. https://doi.org/10.1017/S0266464X16000051
Whyman, R 2007, '"The Actor's Second Nature: Stanislavsky and William James"', New Theatre Quarterly, vol. 23, no. 2, pp. 115-123. https://doi.org/10.1017/S0266464X07000024
Guerrero, I & Whyman, R 2023, Performance training in Europe. in R Remshardt & A Mancewicz (eds), Routledge Companion to Contemporary European Theatre and Performance. 1st edn, Routledge.
Whyman, R 2023, The influence of Émile Jaques-Dalcroze on the art of movement in Revolutionary Russia. in Mapping Dalcroze practice: Historical perspectives on pedagogy, performance and therapy . Boydell and Brewer.
Whyman, R 2018, Stanislavski: Contexts and Influences. in P Tait (ed.), The Great European Stage Directors Set 1 Volumes 1-4: Pre-1950: Antoine, Stanislavski, Saint-Denis. vol. 1, The Great Stage Directors, Bloomsbury Methuen Drama .
Whyman, R 2018, The ‘Second Wave’ Actresses of Russia and the USSR: Serafima Birman, Sofia Giatsintova, Alla Tarasova and Olga Pyzhova: their relationship to Stanislavsky, his System and the Moscow Art Theatre. in J Sewell & C Smout (eds), The Palgrave Handbook of the History of Women on Stage. Palgrave.
Whyman, R 2015, Russian Delsartism and Michael Chekhov: The search for the eternal type. in M Mathieu & Y Meerzon (eds), The Routledge Companion to Michael Chekhov. Routledge.
Whyman, R 2009, Chekhov's Seagull and Schopenhauer's Poodle. in Drama i Teatr VII: Drama and Theatre. Tverskoi gos. universitet.
Whyman, R 2009, L'acteur, la machine emotionelle. in M-C Autant-Mathieu (ed.), Mickhael Tchekov/Michael Chekhov, de Moscou à Hollywood, du Théatre au cinéma: Michael Chekhov, from Moscow to Hollywood, from the theatre to the cinema. Les voies de l'acteur, L'Entretemps, Montpellier, pp. 219-232.
Whyman, R 2011, 'Politics and Performing Arts in Late Imperial Russia', Modern Language Review, vol. 106.
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