Dr Theodora Hadjimichael

Dr Theodora Hadjimichael

Classics, Ancient History and Archaeology
Lecturer in Ancient Greek Literature

Contact details

Department of Classics, Ancient History and Archaeology
University of Birmingham
B15 2TT

I have been trained as a Greek philologist, and my research has turned me into a cultural historian. I work on Greek lyric poetry, and my research interests also include ancient literary criticism, ancient Greek scholarship, music and dance in antiquity, Plato, and the Peripatetics.


  • BA First Class in Greek Philology, National and Kapodistrian University of Athens, Greece
  • MA in Classics, University College London, UK
  • PhD in Classics, University College London, UK


I come from ancient Kition in Cyprus, the town that is nowadays called Larnaca, and have studied Greek Philology at the National and Kapodistrian University of Athens in Greece (major: Classical Philology), before moving to the UK to complete an MA and PhD in Classics at University College London. After the completion of my doctorate I had a peripatetic academic career, having held positions at: Middlesex University London, Radboud University Nijmegen in the Netherlands, the Open University of Cyprus, Ludwig-Maximilians-Universität München in Germany, The University of Warwick, and The University of Edinburgh. I joined the University of Birmingham in September 2020.

Tip on how to pronounce my surname: My surname is Greek is Χατζημιχαήλ and the pronunciation is actually Hajimihail; imagine the combination of the following three words: haji - miha - eel. That is how it would be pronounced in Cyprus. 


I teach modules on Greek literature and culture, and Ancient Greek language.

Postgraduate supervision

I am keen to supervise postgraduate students who wish to work on topics related to Greek literature (across all genres) and Greek cultural history, including the interaction of poetry with philosophy (Plato), and interdisciplinary approaches to literature.

Current doctoral projects supervised:
Primary supervisor: 'A Harmony of Opposition: Poetry and Philosophy in Platonic Dialogues'

Find out more - our PhD Classics and Ancient History  page has information about doctoral research at the University of Birmingham.


My research to date has focused on Greek Lyric poetry and its reception and transmission in antiquity, but my research interests are broad and involve ancient literary and cultural history, Plato and the Peripatos as source of cultural and intellectual history, as well as ancient scholarship. I am also interested in the aesthetics and psychology of music and dance in antiquity, as those were perceived by poets and theorised by philosophers. 

My first monograph The Emergence of the Lyric Canon (2019 Oxford: Oxford University Press UK) explores the complexities of the process of canonisation of lyric poetry by offering both synchronic and diachronic views of the survival and transmission of small-scale poetry in antiquity. The Emergence of the Lyic Canon is the first book that creates a whole and comprehensive narrative on the transmission and canonisation of Greek lyric in late classical and Hellenistic times, and it therefore fills in an important gap in scholarship. It conclusively demonstrates that the canonising process of the lyric poets was already at work from the fifth century BC, and is reflected both on the evaluation of lyric by fourth-century thinkers and on the activities of the Hellenistic scholars in the Alexandrian Library.  

My current research focuses on the reception and critique of sixth- and fifth-century lyric poetry in Plato. The project sits at the interchange of Classics and Philosophy, while it also touches on questions of ancient literary and cultural criticism, aesthetics, psychology, and musicology. One of the aims is to analyse how Plato reappropriates lyric poetry, lyric genres, and also lyric features -song, music, rhythm, and dance- in his dialogues and how he conceptualises the value of lyric activities in his aesthetics and in his moral criticism. Another aim is to examine Plato's influence on ancient perceptions of lyric and more broadly to demonstrate the importance of the fourth century BC in the reception of sixth- and fifth-century lyric poetry in antiquity.

Other activities

I hold the role of the redactor and academic adviser on the series ‘Griechische Mythen’ [Greek Myths] that are published by icon Verlag Hubert Kretschmer in Munich Germany. The project started in 2016 with the aim to publish short magazines with modern colourful illustrations and short stories in German for individual mythological figures. So far we have published Orpheus and Eurydike (Heft 1), Perseus (Heft 2), Zeus (Heft 3), Ixion and Nefele (Heft 4), Oedipus (Heft 5), and Prometheus (Heft 6).


Recent publications


Hadjimichael, T 2019, The Emergence of the Lyric Canon. Oxford University Press, Oxford.

Hadjimichael, T, Andujar, R & Coward, TRP (eds) 2018, Paths of Song: The Lyric Dimension of Greek Tragedy. Trends in Classics Supplementary Volumes 58, De Gruyter, Berlin.


Hadjimichael, T 2021, 'Literary reflections on the dithyrambic genre', The American Journal of Philology.

Hadjimichael, T 2019, 'On Kinesias’ Musicopoetic Paranomia', Greek and Roman Musical Studies, vol. 7, no. 2, pp. 284–307. https://doi.org/10.1163/22129758-12341351

Hadjimichael, T 2015, 'Sports-writing: Bacchylides’ Athletic Descriptions', Mnemosyne, vol. 68, no. 3, pp. 363–392. https://doi.org/10.1163/1568525X-12341389

Hadjimichael, T 2014, 'Aristophanes’ Bacchylides: Reading Birds 1373–1409', Greek and Roman Musical Studies, vol. 2, no. 1, pp. 184–210. https://doi.org/10.1163/22129758-12341258

Hadjimichael, T 2014, 'Bacchylides Fr. 60 M. and the Kassandra', American Society of Papyrologists. Bulletin , vol. 51, pp. 77–100. <http://hdl.handle.net/2027/spo.0599796.0051.001:09>

Chapter (peer-reviewed)

Hadjimichael, T 2020, The Agōn as Literary Motif in Representations of the Lyric Poets. in M Edwards, A Efstathiou, A Karamanou & E Volonaki (eds), The Agon in Classical Literature. Bulletin of the Institute of Classical Studies Supplement, University of London Press.

Hadjimichael, T 2019, The Peripatetics and the Transmission of Lyric. in B Currie & I Rutherford (eds), The Reception of Greek Lyric Poetry 600BC-400AD : Transmission, Canonization, and Paratext. Brill, Leiden, pp. 151-81.

Hadjimichael, T, Andujar, R & Coward, TRP 2018, Introduction. in R Andujar, TRP Coward & TA Hadjimichael (eds), Paths of Song: The Lyric Dimension of Greek Tragedy. De Gruyter, pp. 1-18.

Hadjimichael, T 2012, Epinician Competitions: Persona and Voice in Bacchylides. in D Castaldo, F Giannachi & A Manieri (eds), Poesia, musica e agoni nella Grecia antica = Poetry, music and contests in ancient Greece. . vol. 1, Rudiae. Ricerche sul mondo classico , no. 22-23, 2010-11, Galatina, pp. 331-56.

Review article

Hadjimichael, T 2016, 'Review of Capra, A. 2014. Plato’s Four Muses. The Phaedrus and the Poetics of Philosophy. Cambridge MA', The Journal of Hellenic Studies, vol. 136, pp. 282–3.

Hadjimichael, T 2015, 'LeVen, P. 2014. The Many-Headed Muse: Tradition and Innovation in Late Classical Greek Lyric Poetry.  Cambridge, Cambridge University Press. 386 pp. Pr. $99.00 (hb). ISBN 9781107018532.', Greek and Roman Musical Studies, vol. 3, no. 1-2, pp. 170-172. https://doi.org/10.1163/22129758-12341034

Hadjimichael, T 2013, 'Review of Caciagli, S. 2011. Poeti e società: comunicazione poetica e formazioni sociali nella Lesbo del VII /VI secolo a.C., Amsterdam', The Journal of Hellenic Studies, vol. 133, pp. 162-3.

Hadjimichael, T 2011, 'Review of Athanassaki, L. 2009. Aeideto pan temenos. Oi Chorikes Parastaseis kai to koino tous sten archaike kai proime klassike periodo, Heraklion', The Classical Review, vol. 61, no. 1, pp. 28-30.

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