Alongside the doctoral research, Hạnh’s practice explores the intersections of sound, environment, and memory, with particular attention to collective listening and transgenerational dialogue. This practice takes the form of performance and collaboration, combining the đàn bầu, extended techniques, electronics, field recordings, and human multivocalities across artistic, research, and community-based contexts.
Hạnh is a member of Deutsche Asiat* innen Make Noise (DAMN*) and the Mutating Kinship Lab (MKL), and maintains ongoing collaborations with sōydivision, Asian Feminist Studio for Art and Research (AFSAR) and the Mental Health Arts Space (MHAS).
Currently, Hạnh is developing Tidal Listening, a radio series for Refuge Worldwide, which brings together music, field recordings, and conversation to explore how listening practices emerge from relationships with rivers, deltas, seas, and other water bodies under conditions of environmental change.