In parallel to his academic work, he has a practice which sits between / in / nearby / at the intersections of sound, community, and archives.
Working with sound encompasses radio, artistic interpretations, research, writing, and translation. Under the handle ‘Phambinho’, he hosts a monthly show on NTS Radio, an online community radio station. Select recent projects include curating Our Voices (2024) for Spor and Ultima music festivals, The Listening Choir, in 3 Acts (2024) for November Music, and Mediterranean Futures: Everyday Imaginary (2024) for Stegi.Radio.
At the community level, he works with vulnerable communities in London and Hà Nội, such as those who are homeless, undocumented or marginalised due to a lack of care from the state. This work will range from translation, assisting people with accessing medical or public services to sitting ‘ having sat on various boards. Cuong’s sound and archival practices are heavily informed by community-based approaches that prioritise collaboration, accessibility, and multivocality. Cường’s contribution to Archives Lab - Activating the An Việt Archives (2023) was that attempt to bring in plurality in the cataloguing process.
Archives are another key focus of his work. He is the co-founder of the An Việt Archives Steering Committee, which oversees the largest known collection of documents, photos, and other objects related to the British-Vietnamese experience, currently housed at Hackney Archives. Recent projects include Amplifying Archives (2023), a series of auditory essays exploring the role of sound in archives and shared heritage, accompanied by visual projections.