Ledger, A 2012, The Odin Teatret: Theatre in a New Century. Palgrave Macmillan.
Ledger, A, Sidiropoulou, A & Wilson, T 2023, 'Editorial', Theatre, Dance and Performance Training, vol. 14, no. 3, pp. 287-292. https://doi.org/10.1080/19443927.2023.2243180
Ledger, A 2019, The Director and Directing: Craft, Process and Aesthetic in Contemporary Theatre. 1 edn, Palgrave Macmillan. https://doi.org/10.1057/978-1-137-40767-2
Ledger, A, Kuhlmann, A 2021, Eugenio Barba: L'albero della conoscenza dello spettacolo. translated by Leonardo Mancini, Il Contemporaneo, CuePress, Imola, Italy. <https://www.cuepress.com/catalogo/eugenio-barba>
Ledger, A 2023, 'Someone else's rehearsal', Theatre, Dance and Performance Training, vol. 14, no. 3, pp. 423-4. https://doi.org/10.1080/19443927.2023.2250681
Ledger, A, Kuhlmann, A, Christoffersen, EE, Turner, J, Campbell, P & Chemi, T 2022, ''The ship of fools': a critical laboratory', Theatre, Dance and Performance Training, vol. 13, no. 1, pp. 37-39. https://doi.org/10.1080/19443927.2022.2033478
Ledger, A 2022, 'Compromising Skill: Fevered Sleep’s Men & Girls Dance', Contemporary Theatre Review, vol. 32, no. 1, pp. 105-109. https://doi.org/10.1080/10486801.2022.2009659
Ledger, A, Kuhlmann, A, Christoffersen, EE, Turner, J, Campbell, P & Chemi, T 2022, 'From the Centre to the Periphery', Theatre, Dance and Performance Training, vol. 13, no. 1, pp. 156-158 . https://doi.org/10.1080/19443927.2022.2033463
Ledger, A 2022, 'Message in a Bottle?', Theatre, Dance and Performance Training, vol. 13, no. 1, pp. 135-135. https://doi.org/10.1080/19443927.2022.2038954
Ledger, A 2020, 'Katie Mitchell and the Practice/ise of Rehearsal', Contemporary Theatre Review, vol. 30, no. 2, pp. 265-268. https://doi.org/10.1080/10486801.2020.1731494
Ledger, A 2018, 'Essais: Where’s my igloo gone?: ‘Trainings’ for/in participatory performance for family audiences', Theatre, Dance and Performance Training, vol. 9, no. 2, pp. 282-286. https://doi.org/10.1080/19443927.2018.1475161
Ledger, A 2016, ''It’s not about fucking it up’: The Trial of Ubu, the text and the director', Contemporary Theatre Review, vol. 26, no. 3, pp. 345-356. https://doi.org/10.1080/10486801.2016.1183663
Ledger, A 2020, Deborah Warner: Experiments in words, bodies and place. in M Delgado & D Rebellato (eds), Contemporary European Stage Directors (2nd ed.).. 2nd edn, Routledge.
Ledger, A & Kuhlmann, A 2018, The tree of performance knowledge: Eugenio Barba. in P Allain & S Shepherd (eds), The Great European Stage Directors: Grotowski, Brook, Barba. Great European Stage Directors, vol. 5, Bloomsbury, London, pp. 145-202, 221-232, 236-237. <https://www.bloomsbury.com/uk/the-great-european-stage-directors-set-2-9781474254168/>
Ledger, A 2017, ‘The thrill of doing it live’: devising and performing Katie Mitchell’s international multimedia productions. in K Reilly (ed.), Contemporary Approaches to Adaptation in Theatre. Adaptation in Theatre and Performance, Palgrave Macmillan.
Ledger, A 2016, Caravania!: intimate theatre for family audiences. in J Frieze (ed.), Reframing Immersive Theatre: The Politics and Pragmatics of Participatory Performance. 1st edn, Palgrave Macmillan. https://doi.org/10.1057/978-1-137-36604-7
Ledger, A 2020, 'Russian Theatre in Practice: the Director's Guide, ed. Amy Skinner', New Theatre Quarterly, vol. 36, no. 2.
Ledger, A (Guest ed.), Sidiropoulou, A (Guest ed.), Wilson, T (ed.), Pitches, J (ed.) & Worth , L (ed.) 2023, 'Contemporary Directions in Director Training', Theatre, Dance and Performance Training, vol. 14, no. 3. <https://www.tandfonline.com/toc/rtdp20/14/3>
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