Ledger, A, Kuhlmann, A 2021, L'albero della conoscenza dello spettacolo: Eugenio Barba. translated by Leonardo Mancini, CuePress.
Ledger, A 2019, The Director and Directing: Craft, Process and Aesthetic in Contemporary Theatre. 1 edn, Palgrave Macmillan. https://doi.org/10.1057/978-1-137-40767-2
Ledger, A 2012, The Odin Teatret: Theatre in a New Century. Palgrave Macmillan.
Ledger, A 2020, 'Katie Mitchell and the Practice/ise of Rehearsal', Contemporary Theatre Review, vol. 30, no. 2, pp. 265-268. https://doi.org/10.1080/10486801.2020.1731494
Ledger, A 2018, 'Essais: Where’s my igloo gone?: ‘Trainings’ for/in participatory performance for family audiences', Theatre, Dance and Performance Training, vol. 9, no. 2, pp. 282-286. https://doi.org/10.1080/19443927.2018.1475161
Ledger, A 2016, ''It’s not about fucking it up’: The Trial of Ubu, the text and the director', Contemporary Theatre Review, vol. 26, no. 3, pp. 345-356. https://doi.org/10.1080/10486801.2016.1183663
Ledger, A 2020, Deborah Warner: Experiments in words, bodies and place. in M Delgado & D Rebellato (eds), Contemporary European Stage Directors (2nd ed.).. 2nd edn, Routledge.
Ledger, A & Kuhlmann, A 2018, The tree of performance knowledge: Eugenio Barba. in P Allain & S Shepherd (eds), The Great European Stage Directors: Grotowski, Brook, Barba. Great European Stage Directors, vol. 5, Bloomsbury, London, pp. 145-202, 221-232, 236-237. <https://www.bloomsbury.com/uk/the-great-european-stage-directors-set-2-9781474254168/>
Ledger, A 2017, ‘The thrill of doing it live’: devising and performing Katie Mitchell’s international multimedia productions. in K Reilly (ed.), Contemporary Approaches to Adaptation in Theatre. Adaptation in Theatre and Performance, Palgrave Macmillan.
Ledger, A 2016, Caravania!: intimate theatre for family audiences. in J Frieze (ed.), Reframing Immersive Theatre: The Politics and Pragmatics of Participatory Performance. 1st edn, Palgrave Macmillan. https://doi.org/10.1057/978-1-137-36604-7
Ledger, A 2016, The Women of Odin Teatret: Creativity, Challenge, Legacy. in K Syssoyeva & S Proudfit (eds), Women, Collective Creation and Devised Theatre: The Rise of Women Theatre Artists in the Twentieth and Twenty-First Centuries. 1st edn, Palgrave. https://doi.org/10.1057/978-1-137-55013-2
Ledger, A, Fliotsos, AL & Vierow, W 2013, Great Britain. in A Fliotsos & W Vierow (eds), International Women Stage Directors: A pioneering reference of women theatre directors worldwide. University of Illinois Press, pp. 148-160.
Ledger, A 2013, Stan's Cafe: the Vision of the Ensemble. in J Britton (ed.), Encountering Ensemble. Methuen.
Ledger, A, Ellis, SK & Wright, F 2011, The question of documentation: creative strategies in performance research. in B Kershaw & H Nicholson (eds), Research Methods in Theatre and Performance. Research Methods for the Arts and Humanities, Edinburgh University Press, pp. 162-185. <https://www.jstor.org/stable/10.3366/j.ctt1g0b2vz.12>
Ledger, A 2011, 'Contemporary European Theatre Directors: Ed. by Maria M. Delgado and Dan Rebellato. London and New York: Routledge. 2010. xx+428 pp.; 16 colour plates. £20.99. ISBN 978-0-415-46251-8.', Modern Language Review, vol. 106, no. 3, pp. 842-44. https://doi.org/10.5699/modelangrevi.106.3.0842
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