Saunders, G 2017, Elizabethan & Jacobean reappropriation in Contemporary British Drama: 'Upstart Crows'. Adaptation in Theatre and Performance, Palgrave Macmillan, London.
Vos, LD & Saunders, G (eds) 2011, Sarah Kane in context. Manchester University Press, Manchester, UK.
Saunders, G 2019, 'Masters (and Mistresses) of Menace', Journal of Contemporary Drama in English, vol. 7, no. 1, pp. 12-28. https://doi.org/10.1515/jcde-2019-0002
Saunders, G 2018, '‘His Last Bow’: Harold Pinter’s Genre Disobedience in Sleuth (2007)', Coup de Théâtre, vol. 32, pp. 41-58. <http://radac.fr/index.php/en/journal/>
Saunders, G 2017, 'A Last Hurrah? Joe Orton's 'Until She Screams,' Oh! Calcutta! and the Permisive 1960s', Studies in Theatre and Performance, vol. 37, no. 1, pp. 1-16. https://doi.org/10.1080/14682761.2017.1309835
Saunders, G 2012, 'Prizes for modernity in the provinces: The Arts Council's 1950-1951 regional playwriting competition', History Research, vol. 2, no. 6, pp. 391-397.
Saunders, G 2012, 'The freaks roll call: live art and the Arts Council 1968-1973', Contemporary Theatre Review, vol. 22, no. 1, pp. 32-45.
Saunders, G 2015, Historical & Cultural Background (chapter 1) & British Theatre Companies 1980-1994 (chapter 2): I wrote chapters 1 and 2. in British Theatre Companies 1980-1994. vol. 2, Methuen, London, pp. 1-48 & 49-114. <http://sfxeu07.hosted.exlibrisgroup.com/bham?isbn=1408175517%20,9781408175514%20,9781408175484%20,>
Saunders, G 2020, “A Shop Window for Outrage”: Harold Pinter’s Ashes to Ashes, In-Yer Face Theater and the Royal Court’s 1996 West End Season. in After In-Yer-Face Theatre Remnants of a Theatrical Revolution. Palgrave Macmillan, London.
Saunders, G 2016, Beckett goes nude: Breath, Oh! Calcutta! and the sexual revolution. in D Tucker & P McTighe (eds), Staging Beckett in Great Britain. Methuen, pp. 197-214.
Saunders, G 2014, Kicking Tots and Revolutionary Trots: The English Stage Company Young People’s Theatre Scheme 1969-70. in M Aragay & E Monforte (eds), Ethical Speculations in Contemporary British Theatre. Palgrave Macmillan, Basingstoke, pp. 190-206.
Saunders, G 2014, ‘Anyone for Venice? Shakespeare’s The Merchant of Venice and Arnold Wesker’s Shylock’, Coup de Théâtre: Variations Contemporaines Autor de Shylock. in C Khiele & T Agathe (eds), Coup de Théâtre: Variations Contemporaines Autor de Shylock,. vol. 28, RADAC, Paris.
Other chapter contribution
Saunders, G 2013, Foco Novo: the Icarus of British small scale touring theatre. in P Duggan & V Ukaegbu (eds), Reverberations across Small-Scale British Theatre. Intellect, Bristol.
Saunders, GJ 2012, Mark Ravenhill. in A Sierz (ed.), Modern British playwriting: the 1990s: voices, documents, new interpretations. Bloomsbury Methuen Drama , London, UK.
Saunders, G 2011, David Eldridge. in M Middeke, PP Schnierer & A Sierz (eds), Methuen Drama Guide to Contemporary British Playwrights. Methuen, London, pp. 144-163.
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