Ince, K 2017, The Body and the Screen: female subjectivities in contemporary women's cinema. Thinking Cinema, Bloomsbury.
Ince, K 2018, 'Ethics, universality and vulnerability in Abderrahmane Sissako's Bamako (2006) and Timbuktu (2014)', Paragraph , vol. 41, no. 2, pp. 167-183. https://doi.org/10.3366/para.2018.0261
Ince, K 2019, Whose Identification? A Brief Meditation on the Relevance of Jean-PIerre Meunier's The Structures of the Film Experience to Contemporary Feminist Film Phenomenology. in J Hanich & D Fairfax (eds), The Structures of the Film Experience: Historical Assessments and Phenomenological Expansions. Film Theory in Media History, Amsterdam University Press, Amsterdam, pp. 259-271.
Ince, K 2017, Global Women's Cinema. in RS, C Paul, S Dennison & A Marlow-Mann (eds), The Routledge Companion to World Cinema. Routledge.
Ince, K 2013, 'Feminist phenomenology and the film-world of Agnès Varda', Hypatia A Journal of Feminist Philosophy, vol. 28, no. 3, pp. 602-617. https://doi.org/10.1111/j.1527-2001.2012.01303.x
Ince, K 2013, 'Women’s Filmmaking in France 2000-2010', Studies in European Cinema, vol. 10, no. 1, pp. 3-10. https://doi.org/10.1386/seci.10.1.3_2
Ince, K 2011, 'Bringing Bodies Back In: For a Phenomenological and Psychoanalytic Film Criticism of Embodied Cultural Identity', Film-Philosophy, vol. 15, no. 1, pp. 1-12.
Ince, K 2011, 'Altérité, violence et (dés)humanisation dans les films de Georges Franju, in Le Mystere Franju, Frank Lafond (Editor), Coll. CinémAction no.141, Editions Charles Corlet, Conde-sur-Noireau, 4eme trimestre 2011, 44-49. ISBN 978-2-847064-14-8', CinémAction (special issue), no. 141, pp. 44-49.
Ince, K 2018, Feminist phenomenology and Jean-Pierre Meunier's 'The Structures of the Film Experience'. in J Hanich & D Fairfax (eds), The Structures of the Film Experience. Film Theory in Media History, Amsterdam University Press, The Structures of the Film Experience International Symposium , Frankfurt , Germany, 23/11/17.
Ince, K, Boulé, JP & Tidd, U 2012, Feminist Phenomenology and the Films of Sally Potter. in Existentialism and Contemporary Cinema: A Beauvoirian Perspective. Berghahn Books.
Ince, K 2011, Glocal Gloom: Existential Space in the Cinema of Michael Haneke. in The Cinema of Michael Haneke: Europe Utopia.
Ince, K, Higbee, W & Leahy, S 2010, Cinema, the Second Sex and Studies of French Women’s Cinema in the 2000s. in Studies in French Cinema: UK Perspectives 1985-2010.
Ince, K, Smith, S & Deazley, R 2009, Introduction to Part III ‘Transforming the Body'. in The Legal, Medical and Cultural Regulation of the Body: Transformation and Transgression, Stephen W. Smith and Ronan Deazley (Editors).
Ince, K 2011, 'Review of...Framing the Nation: Documentary Film in Interwar France, by Alison J. Murray Levine', H-France Review, vol. 11, no. 170, pp. 4pp.
Ince, K 2011, 'Francois Ozon', Modern and Contemporary France, vol. 19, no. 4, pp. 529-529. https://doi.org/10.1080/09639489.2011.622541
Ince, K 2011, 'Review of...François Ozon, by Thibaut Schilt', Modern and Contemporary France, vol. 19, no. 3.
Ince, K 2009, 'Review of...Review of....The Cinema of Sally Potter: A Politics of Love, by Sophie Mayer', Chroma, no. 24.
Ince, K 2009, 'Francois Ozon', French Studies, vol. 63, no. 3, pp. 366-367. https://doi.org/10.1093/fs/knp072
Ince, K 2015, Fantasy, Fairy Tale, and Feminism? Eyes without a Face. British Film Institute, London.
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