Recent publications
Article
Smith, C 2019, 'Sex sells! Wolfgang Gurlitt, erotic print culture and women artists in the Weimar Republic', Art History, vol. 42, no. 4, pp. 780-806. https://doi.org/10.1111/1467-8365.12460
Smith, C 2018, 'Was nicht im “Baedeker” steht: exploring art, mass culture and anti-tourism in Weimar Germany', New German Critique, vol. 45, no. 1, 133, pp. 207-245. https://doi.org/10.1215/0094033X-4269910
Smith, C 2013, 'Challenging Baedeker Through the Art of Sexual Science: an Exploration of Gay and Lesbian Subcultures in Curt Moreck’s Guide to ‘Depraved’ Berlin (1931)', Oxford Art Journal, vol. 36, no. 2, pp. 231-256. https://doi.org/10.1093/oxartj/kct018
Smith, C 2013, 'Telling tales : the construction of nature and Alpine myth in text and image in eighteenth-century Zurich', Social Semiotics, vol. 24, no. 1, pp. 19-39. https://doi.org/10.1080/10350330.2013.822746
Chapter
Smith, C 2019, 'Jeder einmal in Berlin!’ Modern Art, Mass Culture and Nightlife in Weimar Germany. in F Ostende & L Johnson (eds), Exhibition: Into the Night. Cabarets and Clubs in Modern Art . Prestel, Munich, London and New York, pp. 214-221, Into the Night. Cabarets and Clubs in Modern Art , London , United Kingdom, 4/10/19.
Smith, C 2019, Wolfgang Gurlitt gibt bei Jeanne Mammen eine Serie erotischer Lithografien in Auftrag. in E Nowak-Thaller & H Schmutz (eds), Wolfgang Gurlitt. Zauberprinz. Kunsthändler – Sammler . Hirmer Verlag, Munich u. Berlin, pp. 209-219, Wolfgang Gurlitt. Zauberprinz. Kunsthändler – Sammler, Linz, Austria, 4/10/19.
Smith, C 2017, 'Vom Wedding nach Montmartre'. Eine Erkundung der theatralen Semantik im Werk von Jeanne Mammen. in J Mammen-Stiftung e.V. (ed.), Jeanne Mammen. Paris - Bruxelles - Berlin . Deutscher Kunstverlag GmbH, Munich u. Berlin, pp. 120-143.
Smith, C 2017, Jeanne Mammen - Negotiating the Hitler State from Within 1933-1945. in A Lütgens & T Köhler (eds), Jeanne Mammen. The Observer. Retrospective 1910-1975. Hirmer Verlag, Munich and Berlin, pp. 153-160, Jeanne Mammen. The Observer. Retrospective 1910-1975, Berlin, Germany, 6/10/17.
Smith, C 2017, Jeanne Mammens künstlerisches Handeln im 'Hitler-Staat'. in A Lütgens & T Köhler (eds), Jeanne Mammen. Die Beobachterin: Retrospektive 1910–1975. Hirmer Verlag, Munich u. Berlin , pp. 153-160, Jeanne Mammen. Die Beobachterin Retrospektive 1910-1975, Berlin , Germany, 6/10/17.
Smith, C 2016, '"From Wedding to Montmartre”: Exploring theatrical semantics in the work of Jeanne Mammen. in FDJ-M-SEVBICWTF-ZFUB (ed.), Jeanne Mammen. Paris - Bruxelles - Berlin . Deutscher Kunstverlag GmbH, Berlin and Munich, pp. 120-143, Französische Elemente in Jeanne Mammens Kunst, Berlin, Germany, 10/10/14.
Smith, H 2014, Challenging bohemian myth in Weimar Berlin: Reinterpreting Jeanne Mammen and the artist function through her illustrations Der Maler und sein Modell [‘The Painter and his Model’] (1927). in D Machin (ed.), Visual Communication ed. David Machin : under the general series: Handbooks of Communication Sciences, ed. Peter J. Schulz and Paul Cobley. vol. 4, Handbooks of Communication Science, vol. 4, De Gruyter, Berlin/Boston, pp. 357-386. https://doi.org/10.1515/9783110255492.357
Book/Film/Article review
Smith, H 2014, 'Exploring reproducibility and regionalism in Weimar Germany', Oxford Art Journal, vol. 37, no. 3, pp. 335-339. https://doi.org/10.1093/oxartj/kcu022
Review article
Smith, C 2019, 'Forum: visual studies—the art historians’ view: on (homo)sexuality in Weimar visual culture', The German Quarterly, vol. 92, no. 2, 5, pp. 259-263. https://doi.org/10.1111/gequ.12105
Smith, C 2018, '‘Body Modern: Fritz Kahn, Scientific Illustration, and the Homuncular Subject by Michael Sappol’ (review)', German Studies Review, vol. 41, no. 2, pp. 407-409. https://doi.org/10.1353/gsr.2018.0074
Special issue
Price, D & Smith, C 2019, 'Weimar's Others: Art History, Alterity and Regionalism in Inter-War Germany', Art History, vol. 42, no. 4, pp. 628-651. https://doi.org/10.1111/1467-8365.12454
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