Ince, K 2021, The Cinema of Mia Hansen-Love: candour and vulnerability. Visionaries: Thinking Through Female Filmmakers, Edinburgh University Press, Edinburgh. <https://edinburghuniversitypress.com/book-the-cinema-of-mia-hansen-love.html>
Ince, K 2019, Whose Identification? A Brief Meditation on the Relevance of Jean-PIerre Meunier's The Structures of the Film Experience to Contemporary Feminist Film Phenomenology. in J Hanich & D Fairfax (eds), The Structures of the Film Experience: Historical Assessments and Phenomenological Expansions. Film Theory in Media History, Amsterdam University Press, Amsterdam, pp. 259-271.
Ince, K 2017, The Body and the Screen: female subjectivities in contemporary women's cinema. Thinking Cinema, 1st edn, Bloomsbury. https://doi.org/10.5040/9781501396519
Eugene, P, Ince, K & Siegel, M (eds) 2022, Serge Daney and Queer Cinephilia. konfigurationen-des-films.de [Configurations of Film], Meson Press, Germany.
Ince, K 2022, '#MeToo, #BalanceTonPorc, the feminist rape-revenge film in the 2010s and Coralie Fargeat’s Revenge', The Philosophical Journal of Conflict and Violence, vol. VI, no. 1, pp. 110-125.
Ince, K 2020, 'Ethics, gender and vulnerability in the films of Mia Hansen-Løve', Film-Philosophy, vol. 24, no. 2, pp. 104-121. https://doi.org/10.3366/film.2020.0134
Ince, K 2018, 'Ethics, universality and vulnerability in Abderrahmane Sissako's Bamako (2006) and Timbuktu (2014)', Paragraph , vol. 41, no. 2, pp. 167-183. https://doi.org/10.3366/para.2018.0261
Ince, K 2013, 'Feminist phenomenology and the film-world of Agnès Varda', Hypatia A Journal of Feminist Philosophy, vol. 28, no. 3, pp. 602-617. https://doi.org/10.1111/j.1527-2001.2012.01303.x
Ince, K 2013, 'Women’s Filmmaking in France 2000-2010', Studies in European Cinema, vol. 10, no. 1, pp. 3-10. https://doi.org/10.1386/seci.10.1.3_2
Ince, K 2022, Varda's Sans toit ni loi/Vagabond (1985): the center of my feminist film teaching, 1998–2020. in C Kennedy-Karpat & F Cicekoglu (eds), The Sustainable Legacy of Agnès Varda: Feminist Practice and Pedagogy. 1st edn, Bloomsbury Publishing, London & New York, pp. 143-148. https://doi.org/10.5040/9781350240933.ch-12
Ince, K 2018, Feminist phenomenology and Jean-Pierre Meunier's 'The Structures of the Film Experience'. in J Hanich & D Fairfax (eds), The Structures of the Film Experience. Film Theory in Media History, Amsterdam University Press, The Structures of the Film Experience International Symposium , Frankfurt , Germany, 23/11/17.
Ince, K 2023, Anthropological documentary filmmaking in Niger: Mariama Hima Yankori and 'Baabu Banza' (1984). in S van der Peer, L Bisschoff & A Grgic (eds), Women's global film heritage.
Ince, K 2023, The Psychology and Phenomenology of Play in Céline Sciamma's 'Petite Maman' (2021). in K Fuery (ed.), Film Phenomenologies: Temporality, Embodiment, Transformation. Edinburgh University Press, Edinburgh.
Ince, K 2017, Global Women's Cinema. in RS, C Paul, S Dennison & A Marlow-Mann (eds), The Routledge Companion to World Cinema. Routledge.
Ince, K, Boulé, JP & Tidd, U 2012, Feminist Phenomenology and the Films of Sally Potter. in Existentialism and Contemporary Cinema: A Beauvoirian Perspective. Berghahn Books.
Ince, K 2023, 'Review of Kelli Fuery's 'Ambiguous Cinema: From Simone de Beauvoir to Feminist Film Phenomenology', Edinburgh, Edinburgh University Press (2022)' Film-Philosophy, vol. 28, no. 1.
Ince, K 2022, 'ReFocus: The Films of François Ozon. Edited by Loïc Bourdeau' French Studies, vol. 76, no. 4, pp. 687–688. https://doi.org/10.1093/fs/knac162
Ince, K 2015, Fantasy, Fairy Tale, and Feminism? Eyes without a Face. British Film Institute, London.
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