Recent publications
Article
Matthews, T, Witek, M, Thibodeau, J, Vuust, P & Penhune, V 2022, 'Perceived motor synchrony with the beat is more strongly associated with groove than measured synchrony', Music Perception, vol. 19, no. 5, pp. 423–442. https://doi.org/10.1525/mp.2022.39.5.423
Danieli, L, Witek, M & Haworth, C 2021, 'Space, sonic trajectories and the perception of cadence in electroacoustic music', Journal of New Music Research . https://doi.org/10.1080/09298215.2021.1927116
Witek, M, Liu, J, Kuubertzie, J, Poku Yankyera, A, Adzei, S & Vuust, P 2020, 'A critical cross-cultural study of sensorimotor and groove responses to syncopation among Ghanaian and American university students and staff', Music Perception, vol. 37, no. 4, pp. 278–297. https://doi.org/10.1525/mp.2020.37.4.278
Stupacher, J, Witek, M, Vuoskoski, J & Vuust, P 2020, 'Cultural familiarity and individual musical taste differently affect social bonding when moving to music', Scientific Reports, vol. 10, 10015. https://doi.org/10.1038/s41598-020-66529-1
Matthews, T, Witek, M, Lund, T, Vuust, P & Penhune, V 2020, 'The sensation of groove engages motor and reward networks', NeuroImage, vol. 214, 116768, pp. 1-12. https://doi.org/10.1016/j.neuroimage.2020.116768
Matthews, T, Witek, M, Heggli, OA, Penhune, V & Vuust, P 2019, 'The sensation of groove is affected by the interaction of rhythmic and harmonic complexity', PLoS ONE, vol. 14, no. 1, e0204539. https://doi.org/10.1371/journal.pone.0204539
Vuust, P, Witek, M, Dietz, MJ & Kringelbach, ML 2018, 'Now you hear it: A predictive coding model for understanding rhythmic incongruity', Annals of the New York Academy of Sciences. https://doi.org/10.1111/nyas.13622
Witek, M 2017, 'Filling in: Syncopation, pleasure and distributed embodiment in groove', Music Analysis, vol. 36, no. 1, pp. 138–160. https://doi.org/10.1111/musa.12082
Witek, M 2017, 'Syncopation affects free body-movement in musical groove', Experimental Brain Research, vol. 235, no. 4, pp. 995-1005. https://doi.org/10.1007/s00221-016-4855-6
Witek, M & Vuust, P 2016, 'Comment on Solberg & Jensenius: The temporal dynamics of embodied pleasure in music', Empirical Musicology Review, vol. 11, no. 3-4, pp. 324-329. https://doi.org/10.18061/emr.v11i3-4.5353
Chapter (peer-reviewed)
Wing, A, Witek, M, Stables, R & Bradbury, A 2022, Ensemble timing in string quartets. in M Phillips & M Sergeant (eds), Music and Time: Psychology, Philosophy, Practice. Boydell & Brewer, pp. 73-96. <https://boydellandbrewer.com/9781783277087/music-and-time/>
Witek, M 2022, Rhythmic entrainment and embodied cognition. in EH Margulis, P Loui & D Loughridge (eds), The Science-Music Borderlands: Reckoning with the Past and Imagining the Future. MIT Press.
Witek, M 2022, The mind is a DJ: rhythmic entrainment in beatmatching and embodied temporal processing. in M Doffman, E Payne & T Young (eds), The Oxford Handbook of Time in Music. Oxford Handbooks, Oxford University Press, pp. 234-252. https://doi.org/10.1093/oxfordhb/9780190947279.013.13
Witek, M 2019, Feeling at one: Socio-affective distribution, vibe and dance music consciousness. in Music and Consciousness 2: Worlds, practices, modalities. Oxford University Press.
Preprint
Tomczak, M, Li, MS, Bradbury, A, Elliott, M, Stables, R, Witek, M, Goodman, T, Abdlkarim, D, Luca, MD, Wing, A & Hockman, J 2022 'Annotation of soft onsets in string ensemble recordings' arXiv. https://doi.org/10.48550/arXiv.2211.08848
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