• PhD (UCL)
• PGCert in Academic Practice (Open University)
• MA (Shakespeare Institute, University of Birmingham)
• BA (University of North Carolina at Chapel Hill)

I studied for a BA in English at the University of North Carolina at Chapel Hill, after which I moved to England on a Fulbright postgraduate scholarship to study for an MA in Shakespeare Studies at the Shakespeare Institute. I completed my PhD at University College London, where I held the Roy Porter Memorial Studentship and was jointly affiliated with the English department and the Wellcome Trust Centre for the History of Medicine. I took up my post at Birmingham in 2010 and became a Senior Lecturer in 2015.

Both my teaching and my research interests are broadly interdisciplinary, weaving together historical, cultural, and aesthetic concerns. I regularly convene modules on Shakespeare’s cultural legacy and theatre historiography, and I also teach on the University's undergraduate Shakespeare course.

As Tutor for Distance Learning at the Shakespeare Institute I oversee the distance learning (DL) options we offer through our MA Shakespeare and Theatre and MA Shakespeare and Education programmes, and I also help develop digital teaching opportunities across our institution. In 2016 I received a University of Birmingham Teaching Academy Award for my work in this area. My teaching has also influenced my research interests, leading me to write about the pedagogy of distance learning and, more recently, Shakespeare and digital culture.

I currently supervise students working on Shakespeare and law, Shakespeare and corporeality, the performance of Shakespeare in minority languages, conceptions of time in the Renaissance, the relationship between Shakespeare and the Jesuit poet Robert Southwell, magic and natural philosophy in Shakespeare, and the history of Shakespeare in Korea.

I would be happy to hear from prospective research students interested in working on Shakespeare and the emotions, Shakespeare and the body and/or soul, Shakespeare and twenty-first-century performance, and Shakespeare and digital culture.

Further information about the PhD application and funding is available on the University of Birmingham website: students should read through this information before contacting me. Strong candidates for a PhD place will typically have an MA with distinction in a relevant subject area and a well-developed sense of their proposed research project.

I am interested in the intersection of culture, identity, and the arts, chiefly in the Renaissance and early modern periods, but increasingly in more modern contexts too. Most of my research to date has dealt with this broad field of interest through the lens of the history of emotion and psychology. My first monograph, Beyond Melancholy: Sadness and Selfhood in Renaissance England (OUP, 2016), explores the understanding and experience of sadness in the sixteenth and seventeenth centuries, paying particular attention to the way literature and drama offers access to the emotional life of the past. My edited collection with Richard Meek, The Renaissance of Emotion: Understanding Affect in Shakespeare and His Contemporaries (MUP, 2015), considers the central role feeling played in early modern religious, political, and cultural life. In 2013 I held a six-week Universitas 21 Fellowship at the Australian Research Council Centre of Excellence for the History of the Emotions, where I pursued research on both of these book projects, gave a public lecture at the UQ Art Gallery, and talked about my work on Australian national radio.

In recent years I have also become interested in Shakespeare's performance and celebration today, especially in relation to the experience of identity and community. In 2012 I led an AHRC-funded project with Paul Prescott and Paul Edmondson that investigated Shakespeare's role in the London Olympic Celebrations, resulting in an open access festival archive, www.yearofshakespeare.com, and two edited collections for Bloomsbury's Arden Shakespeare series: A Year of Shakespeare: Re-living the World Shakespeare Festival (2013) and Shakespeare on the Global Stage: Performance and Festivity in the Olympic Year (2015).

My next book project is a study of Shakespeare and digital performance that looks at how technological innovations such as live theatre broadcasting, the staging of digital media, and audience participation through social media are reshaping how we encounter and experience Shakespeare as performance. I am particularly interested in how we respond to such work emotionally, and I blog about these issues at digitalshakespeares.wordpress.com. In 2017 I held a one-month fellowship at the Folger Shakespeare Library in Washington, DC, to develop this project.

Outreach and public engagement

I am committed to nurturing a wide audience for humanities research. To that end I have spoken at the Cheltenham and Hay Festivals on Shakespeare and on representations of madness in literature, have been featured on Melvyn Bragg’s ‘In Our Time’ talking about Robert Burton's The Anatomy of Melancholy and Shakespeare's The Tempest, have worked with theatre companies including Stan's Cafe and Elastic Theatre on productions exploring Renaissance psychology, and have discussed child mortality and parental grief with Michael Wood for his BBC documentary on the life of Shakespeare's mother. My research on Shakespeare and the 2012 Olympics, which involved working with theatres, museums, and their audiences and patrons, was the subject of a REF 2014 Impact Case Study for the School of English, Drama, and American and Canadian Studies.

I have also acted as a historical advisor for Wellcome Trust-funded arts groups dealing with the medical culture of Renaissance Europe and I have written on several occasions for the medical journal The Lancet, contributing pieces on the history of madness, the mind, grief, and literature’s engagement with medicine. I am happy to hear from media organizations and arts groups interested in pursuing projects related to my research interests. 

Professional service

I am a general editor of the journal Cultural History, a board member of the theatre company The Other Way Works, and from 2010-16 I was a trustee of the British Shakespeare Association. At the Shakespeare Institute I am Tutor for Distance Learning, Staff Library Representative, and Staff Liaison for the Student-Staff Consultative Committee. I previously represented the College of Arts and Law on the University’s Collaborative Provision Committee.

I have also acted as a peer reviewer for several journals, publishing houses, and funding bodies, including Shakespeare, Shakespeare Bulletin, Medical History, Routledge, Bloomsbury, and the Wellcome Trust. 

Books:

• Beyond Melancholy: Sadness and Selfhood in Renaissance England (Oxford University Press, 2016)
• (edited, with Richard Meek) The Renaissance of Emotion: Understanding Affect in Early Modern Literature and Culture (Manchester University Press, 2015)
• (edited, with Paul Prescott) Shakespeare on the Global Stage: Performance and Festivity in the Olympic Year (Arden/Bloomsbury, 2015)
• (edited, with Paul Edmondson and Paul Prescott) A Year of Shakespeare: Re-living the World Shakespeare Festival (Arden/Bloomsbury, 2013)

Journal articles and book chapters:

• ‘“The forms of things unknown”: Shakespeare and the Rise of the Live Broadcast’, Shakespeare Bulletin 35:4 (2017), 627-62
• ‘Melancholy’, in Early Modern Emotions: An Introduction, ed. Susan Broomhall (Routledge, 2017)
• (with Susan Brock and Greg Wells) ‘The Melancholy Earl: Sir William Herbert in the Medical Cases Notes of Dr Barker of Shrewsbury’, Notes and Queries 63:4 (2016)
• (with Andrew Wear) ‘Materiality, Nature, and the Body’, in The Routledge Handbook of Material Culture in Early Modern Europe, ed. David Gaimster, Tara Hamling, and Catherine Richardson (Routledge, 2016)
• ‘Shakespeare and Emotion: A Review Essay’, in Cahiers Élisabéthains 87 (2015)
• 'Introduction' (with Richard Meek) and 'The Passions of Thomas Wright: Renaissance Emotion across Body and Soul', in The Renaissance of Emotion
• https://muse.jhu.edu/article/679756'Olympic Shakespeare and the Idea of Legacy: Culture, Capital, and the Global Future', in Shakespeare on the Global Stage
• 'Internal and External Shakespeare: Constructing the Twenty-first Century Classroom', in Shakespeare and the Digital World: Redefining Scholarship and Practice, ed. by Christie Carson and Peter Kirwan (Cambridge University Press, 2014)
• 'Doctrinal Doubleness and the Meaning of Despair in William Perkins's "Table" and Nathaniel Woodes's The Conflict of Conscience', Studies in Philology 110:3 (2013)
• 'Olympic Performance in the Year of Shakespeare' and several production reviews in A Year of Shakespeare (Arden/Bloomsbury, 2013)
• 'The History of the Emotions: Past, Present, Future', Cultural History 2:1 (2013) 
• '"The Watchful Spirit": Religious Anxieties toward Sleep in the Notebooks of Nehemiah Wallington', Cultural History 1:1 (2012) - winner of the 2011 International Society for Cultural History Essay Prize
• ‘A Disease unto Death: Sadness in the Time of Shakespeare’, in Emotions and Health, 1200-1700, ed. by Elena Carrera, Brill (Brill, 2013)
• ‘Culture, Literature, and the History of Medicine: A Review Essay’, Medical History 55:4 (2011)
• ‘Physical and Spiritual Illness: Narrative Appropriations of the Bills of Mortality’, in Representing the Plague in Early Modern England, ed. by Rebecca Totaro and Ernest B. Gilman (Routledge, 2010)
• ‘Anti-Bardolatry through the Ages – or, why Voltaire, Tolstoy, Shaw and Wittgenstein Didn’t Like Shakespeare’, Opticon 1826, 2 (2007)

Other writing:

• digitalshakespeares.wordpress.com, research blog on Shakespeare and digital culture
• Revising editor and author of several entries for the Oxford Companion to Shakespeare, 3^rd ed., ed. Michael Dobson, Stanley Wells, Will Sharpe, and Erin Sullivan (Oxford University Press 2015)
• 'Shakespeare and the History of Heartbreak', The Art of Medicine series, The Lancet 382 (2013)
• ‘Melancholy, Medicine and the Arts’, The Art of Medicine series, The Lancet 372 (2008)