Recent publications
Article
Haworth, C 2019, 'Protentions and retentions of Xenakis and Cage: nonhuman actors, genre and time in microsound', Contemporary Music Review, vol. 37, no. 5-6, pp. 606-625. https://doi.org/10.1080/07494467.2018.1577639
Born, G & Haworth, C 2018, 'From Microsound to Vaporwave: internet-mediated musics, online methods, and genre', Music and Letters, vol. 98, no. 4, pp. 601–647. https://doi.org/10.1093/ml/gcx095
Haworth, C 2016, ''All the Musics Which Computers Make Possible': Questions of Genre at the Prix Ars Electronica', Organised Sound, vol. 21, no. 1, pp. 15-29. https://doi.org/10.1017/S1355771815000345
Haworth, C 2015, 'Sound Synthesis Procedures as Texts: An Ontological Politics in Electroacoustic and Computer Music', Computer Music Journal, vol. 39, no. 1, pp. 41-58. https://doi.org/10.1162/COMJ_a_00284
Kendall, GS, Haworth, C & Cádiz, RF 2014, 'Sound Synthesis with Auditory Distortion Products', Computer Music Journal, vol. 38, no. 4, pp. 5-23. https://doi.org/10.1162/COMJ_a_00265
Haworth, C 2012, 'Ear as Instrument', Leonardo Music Journal, vol. 22, pp. 61-62. https://doi.org/10.1162/lmj_a_00099
Chapter (peer-reviewed)
Haworth, C 2018, Technology, Creativity and the Social in Algorithmic Music. in The Oxford Handbook of Algorithmic Music. Oxford Handbooks, Oxford University Press, Oxford, pp. 557-582. <https://global.oup.com/academic/product/the-oxford-handbook-of-algorithmic-music-9780190226992?cc=gb&lang=en&#>
Chapter
Haworth, C 2020, Network Music and Digital Utopianism: The rise and fall of the Res Rocket Surfer project, 1994–2003. in R Adlington & E Buch (eds), Finding Democracy in Music. 1st edn, Routledge, London, pp. 144.
Haworth, C 2017, Analysis-Synthesis: Cultural and Environmental Listening in Florian Hecker’s Affordance. in S Gaensheimer, R Mackay & M Wandschneider (eds), Florian Hecker: Formulations. Culturegest, Verlag der Buchhandlung Walther Konig, London, pp. 201-219.
Haworth, C & Born, G 2016, Mixing It: Digital Ethnography and Online Research Methods--A Tale of Two Global Digital Music Genres. in L Hjorth, H Horst, A Galloway & G Bell (eds), The Routledge Companion to Digital Ethnography. Routledge Companions, pp. 70.
Composition
Haworth, C, Vertizontal Hearing (Up & Down, I then II), 2014, Composition.
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