Recent publications
Article
Haworth, C 2023, 'Post-punk, Industrial Culture Zines, and the Information Dark Age', Theory, Culture & Society. https://doi.org/10.1177/02632764221151133
Danieli, L, Witek, M & Haworth, C 2021, 'Space, sonic trajectories and the perception of cadence in electroacoustic music', Journal of New Music Research , vol. 50, no. 3, pp. 266-278. https://doi.org/10.1080/09298215.2021.1927116
Haworth, C 2019, 'Protentions and retentions of Xenakis and Cage: nonhuman actors, genre and time in microsound', Contemporary Music Review, vol. 37, no. 5-6, pp. 606-625. https://doi.org/10.1080/07494467.2018.1577639
Born, G & Haworth, C 2018, 'From Microsound to Vaporwave: internet-mediated musics, online methods, and genre', Music and Letters, vol. 98, no. 4, pp. 601–647. https://doi.org/10.1093/ml/gcx095
Haworth, C 2016, ''All the Musics Which Computers Make Possible': Questions of Genre at the Prix Ars Electronica', Organised Sound, vol. 21, no. 1, pp. 15-29. https://doi.org/10.1017/S1355771815000345
Chapter (peer-reviewed)
Haworth, C 2018, Technology, Creativity and the Social in Algorithmic Music. in The Oxford Handbook of Algorithmic Music. Oxford Handbooks, Oxford University Press, Oxford, pp. 557-582. <https://global.oup.com/academic/product/the-oxford-handbook-of-algorithmic-music-9780190226992?cc=gb&lang=en&#>
Chapter
Haworth, C & Born, G 2022, Music and intermediality after the internet: aesthetics, materialities and social forms. in G Born (ed.), Music and Digital Media: A Planetary Anthropology. UCL Press, pp. 378-438. https://doi.org/10.14324/111.9781800082434
Haworth, C 2021, Musical affect, autobiographical memory, and collective individuation in Thomas Bernhard's Correction. in L Judith, M Eduardo & S Decatur Smith (eds), Sound and Affect: Voice, Music, World. Chicago University Press, pp. 224-238. https://doi.org/10.7208/chicago/9780226758152.003.0010
Haworth, C 2020, Network Music and Digital Utopianism: The rise and fall of the Res Rocket Surfer project, 1994–2003. in R Adlington & E Buch (eds), Finding Democracy in Music. 1st edn, Routledge, London, pp. 144.
Haworth, C 2017, Analysis-Synthesis: Cultural and Environmental Listening in Florian Hecker’s Affordance. in S Gaensheimer, R Mackay & M Wandschneider (eds), Florian Hecker: Formulations. Culturegest, Verlag der Buchhandlung Walther Konig, London, pp. 201-219.
Haworth, C & Born, G 2016, Mixing It: Digital Ethnography and Online Research Methods--A Tale of Two Global Digital Music Genres. in L Hjorth, H Horst, A Galloway & G Bell (eds), The Routledge Companion to Digital Ethnography. Routledge Companions, pp. 70.
Conference contribution
Haworth, C & Wheale, J 2017, Echosnap and playableale: Exploring audible resonant interaction. in TEI 2017 - Proceedings of the 11th International Conference on Tangible, Embedded, and Embodied Interaction. https://doi.org/10.1145/3024969.3025091
Editorial
Haworth, C 2021, 'Music and cybernetics in historical perspective: introduction to the special issue edited by Christopher Haworth and Eric Drott', Resonance: The Journal of Sound and Culture, vol. 2, no. 4, 1, pp. 461-474. https://doi.org/10.1525/res.2021.2.4.461
Other contribution
Haworth, C 2023, Auditory Distortion Synthesis. SUPERPANG.
Haworth, C, Sofer, D & Spencer, E 2021, Information Overload: Music Studies in the Age of Abundance.. <https://www.birmingham.ac.uk/schools/lcahm/departments/music/events/2021/information-overload-music-history-in-the-age-of-abundance.aspx>
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