Dr Christopher Haworth BA, Mmus, PhD

• Fellow of the Higher Education Academy
• PhD Queen’s University Belfast
• Mmus Goldsmiths, University of London
• BA Chelsea College of Art, London

Before arriving at Birmingham I was a Cheney Fellow in Culture at University of Leeds, where I worked on the application and development of computational methods to map and analyse musical-social relations online. I have also undertaken fellowships at University of Oxford, as a researcher on the ‘Music Digitisation Mediation: Towards Interdisciplinary Music Studies’ research programme; at McGill University, as an affiliate of the Improvisation, Community and Social Practice project; and at University of Calgary, as an Eyes High Postdoctoral Scholar in Composition.

Modules taught on, convened and in development include:

    •    Experimental Music and Sound Art
    •    The Perception of Sound and Music
    •    Electronic Music Studies (w/ Luis-Manuel Garcia)
    •    Intro to Musicology
    •    Contemporary Music Studies (w/ Ryan Latimer)
    •    Popular and World Musics (w/ Alexander Cannon)
    •    Advanced Studies in Electroacoustic Music

I am interested in hearing from potential PhD students with interests in any of the areas listed under my research and supervision.

• Experimental music, electronic music, media art, sound art
• History and critical theory of music technology
• Digital musicology
• Music and genre
• Perception of sound and music
• Practice-based research in above areas 

I am currently the lead supervisor for:

• Victoria Latko (musicology), ‘The impact of the digital singing voice on vocal identity’ (w/ Maria Witek)
• Gary Charles (composition), ‘Composing Infinity: Speculative futures through creative practice in sound and vision’ (w/ Annie Mahtani)

I co-supervise the following students:

• James Davis (musicology), ‘From Eco to Barthes: Waning Radicalism in Luciano Berio’s Musical Engagement’ (w/ Ben Earle)
• Felipe Garcia Suarez (performance practice), ‘Expression in music performance of serial music’ (w/ Ben Earle)
• George Yuan (composition), ‘Portfolio of audiovisual compositions’ (w/ Scott Wilson)
• Spencer Allman (musicology) ‘The legacy of Morton Feldman’s music for the experimental music tradition in the UK. North America and central Europe’ (w/ Ben Earle)

Find out more - our Music postgraduate study  page has information about doctoral research at the University of Birmingham.

My current research focuses on the musical uses of computer networks, including the Internet, from the late 1970s to the present.

One project, an intervention into the burgeoning field of ‘digital musicology’, uses digital social network analysis methods to analyse and map the changing social, communicative, aesthetic and discursive uses of the Internet and World Wide Web that are characteristic of a range of underground electronic music genres whose genesis spans a period from the late 1990s to the present.

The second spans a larger period and looks at the history of ‘the network’ as both a notional concept and technology for the organisation of musical practice. In addition to my musicological work, I’m also a composer with interests in computer music, cybernetics and systems art, psychoacoustics and audio spatialisation. In 2012 I completed a practice and theory based PhD on the creative use of psychoacoustic phenomena in musical practice, and I've published widely on the use of 'auditory distortion products' as musical material in computer music.

I am director of postgraduate research for music, and the admissions tutor for postgraduate research. I am module lead for the final year musicology dissertations, and for the widening horizons module ‘Music in Society’.

In addition to my University duties, I am a board member of the International Computer Music Association and the association’s research co-ordinator.