Kirkman, A 2020, Music and Musicians at the Collegiate Church of St-Omer: Crucible of Song, 1350-1550. Cambridge University Press. https://doi.org/10.1017/9781108884990
Kirkman, A & Ivashkin, A 2012, Contemplating Shostakovich: Life, Music and Film. Ashgate.
Kirkman, A & Weller, P 2017, 'Music and Image/ Image and Music: the Creation and Meaning of Visual-Aural Force Fields in the Later Middle Ages', Early Music, vol. 45, no. 1, pp. 55–75. https://doi.org/10.1093/em/cax005
Kirkman, A 2020, Image, music and lived reality in fifteenth-century Midlands alabaster. in J Boffey (ed.), Performance, ceremony and display in late medieval England : Essays from the 2018 Harlaxton Symposium. Harlaxton Medieval Studies , vol. 30, Shaun Tyas, Harlaxton Symposium 2018, Grantham, Lincolnshire, United Kingdom, 17/07/18.
Kirkman, A & Weller, P 2019, English Alabaster Images as Recipients of Music in the Long Fifteenth Century: English Sacred Traditions in a European Perspective. in Z Murat (ed.), English Alabaster Carvings and the Their Cultural Contexts. Boydell Studies in Medieval Art and Architecture, Boydell & Brewer. <https://boydellandbrewer.com/english-alabaster-carvings-and-their-cultural-contexts.html>
Kirkman, A 2015, The Polyphonic Mass in the Fifteenth Century. in AM Busse Berger & J Rodin (eds), The Cambridge History of Fifteenth-Century Music. Cambridge University Press, pp. 665-700. https://doi.org/10.1017/CHO9781139057813.048
Kirkman, A 2015, The nineteenth-century reception of fifteenth-century sacred music. in J Rodin & AM Busse Berger (eds), The Cambridge History of Fifteenth-Century Music. Cambridge University Press, pp. 802-910.
Kirkman, A 2019, Structure and meaning in the Mass: the Ordinarium Missae and beyond. in A Pavanello & D Filippi (eds), Motet Cycles between Devotion and Liturgy. Schola Cantorum Basiliensis Scripta, vol. 7, Schwabe Verlag, Basel, Switzerland, pp. 19-36.
Vendrix, P, Colin, MA, Cavicchi, C & Kirkman, A 2012, La vie musicale à St Omer. in Renaissances musicales en Picardie 14e-17e.
Kirkman, A 2012, Organs and Instrumental Performance at the Collegiate Church of St Omer, Northern France, in the Later Middle Ages. in TJ McGee & S Carter (eds), Instruments, Ensembles, and Repertory,1300-1600: Essays in Honor of Keith Polk. Brepols Publishers.
Kirkman, A & Weller, P 2018, The Lily and the Rose: Adoration of the Virgin in sound and stone. Hyperion Records. <https://www.hyperion-records.co.uk/dc.asp?dc=D_CDA68228&utm_source=youtube&utm_medium=social&utm_campaign=youtube-taster>
Kirkman, A & Erickson, C 2015, Dawn and Twilight: The First and Last Violin Sonatas of Cyril Scott. Affetto Recordings.
Kirkman, A & Weller, P, Music for St Katherine, 2019, Performance, Hyperion Records.
Kirkman, A, Music for the 100 Years' War: The Binchois Consort, conducted by Andrew Kirkman, 2017, Performance, Hyperion Records.
Kirkman, A, Mendelssohn: Early Works for Piano & Strings, 2016, Performance, Affetto Recordings.
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