MA Music: Performance pathway

Performance constitutes perhaps our fastest growing and most exciting venture, with ambitious plans growing out of the £16 million Bramall Music Building, with its acoustically peerless Elgar Concert Hall and Dome Rehearsal Room designed by Birmingham Symphony Hall acoustician Nick Edwards.

Scholar-performer and early music conductor Andrew Kirkman joins forces with Simon Halsey, renowned chorus master of the CBSO and Berlin Radio Choir, and orchestral conductor Daniele Rosina, plus instrumental and vocal lessons arranged with the faculty of Birmingham Conservatoire.

You also receive the opportunity to take advantage of the early performance opportunities afforded by the Centre for Early Music Performance and Research (CEMPR).

 

You will study two core modules:

  • Advanced Performance
  • Studies in Performance Practice

You will also choose two optional modules from a range which typically includes:

  • Aesthetics and the Philosophy of Art
  • Ensemble Performance
  • Special Study in Music

Full descriptions are available below.

Assessment

Modules are assessed by a combination of written and practical assignments. You will also present a substantial solo recital. The recital offers you the opportunity to unite practical and theoretical musicianship, and to demonstrate the ability to plan and independently prepare (with some supervision) a performance at an advanced level.

Why study this course

  • Excellent reputation – the Department of Music is one of the most distinguished in the UK, with a history stretching back to 1905 when Edward Elgar was appointed the University’s first Professor of Music and looking forward to the latest cutting edge developments in the practice and study of music. 
  • Fantastic resources available - the £16 million Bramall Music building offers outstanding facilities, including climate controlled rooms for the Centre for Early Music Performance and Research, multichannel electroacoustic music studios and BEAST (the department’s huge loudspeaker system for electroacoustic music). It is also home to the acoustically flexible and technologically advanced 450-seat Elgar Concert Hall, arguably the best and most adaptable space of its kind in any University in the UK. 
  • Taught by experts in the field – you will have the opportunity to draw upon the wide range of interests and knowledge held by the Department’s expert academic staff. 
  • The city – the main University campus is within easy reach of the world-renowned Symphony Hall – home of the City of Birmingham Symphony Orchestra (CBSO) and the Hippodrome – home of the Birmingham Royal Ballet. The Department itself mounts concerts in Symphony Hall, the CBSO Centre and the historic Town Hall, which was the venue for the premieres of many major works, including Elgar’s Dream of Gerontius.

Modules

You will study two core modules:

Advanced Performance

This is a module for advanced performers who are approaching a professional standard. Your skills will be honed through individual tuition with experts on your instrument/voice.
Assessment: You will present a lecture-recital involving a performance and a lecture presentation, and submit an extended essay version of the lecture

Studies in Performance Practice

This module combines the disciplines of musicology and performance, introducing you to the main topics in performance practice of western music. Case studies are devoted to Baroque, Classical, Romantic and twentieth-century music. The module will instruct develop the skills necessary for the PhD in Performance Practice. Topics covered may include organology, rhythm and tempo, articulation, pitch and temperaments, notation, the history of recorded performance and debates around ‘authenticity’ in performance.
Assessment: Two written assignments or a combination of written and practical assignments 

You will also choose two optional modules from a range which typically includes:

Aesthetics and the Philosophy of Art

This module consists of a critical examination of topics in aesthetics and the philosophy of art. It considers subjects such as: art and the nature of aesthetic experience; beauty, ugliness and the sublime; symbolism and allegory; the aesthetics of modernism. At its core is an overview of the German aesthetic tradition, involving a close reading of foundational texts by Immanuel Kant, G.W.F. Hegel and their contemporaries in the early 19th century. It will also consider work by a range of subsequent authors, such as, for example, Walter Benjamin, John Dewey, Ernst Bloch, Benedetto Croce, Maurice Merleau-Ponty, Theodor Adorno and Martin Heidegger. Attention will be paid not only to the conceptual arguments put forward by the thinkers in question, but also to the ways in which their theoretical tenets have underpinned the interpretation and criticism of works of art, music and literature.
Assessment: Written assignment

Ensemble Performance

This is a module for advanced performers who are approaching a professional standard i.e. who might soon be engaged to give a public performances for a paying audience, including ensemble performances. Performing in an ensemble situation will develop skills necessary for your professional development. You will be required to join attend all rehearsals, dress rehearsals and performances for either 1) a University Music Department Ensemble or University Music Society Ensemble that meets in semester one and two or, 2) two University Music Department Ensembles or University Music Society Ensembles that meets only one semester. 
Assessment: Attendance at all rehearsals, dress rehearsals and concerts; part tests

Special Study in Music

You will undertake a special study of a particular field of your choice under the direction of the leader of your pathway, which will typically require attendance at an appropriate series of lectures or tutorials as well as independent reading and research. Topics for study might include: vocalists in the Baroque era; topics in music analysis; or topics in critical musicology.
Assessment: Written assignment


Please note that the optional module information listed on the website for this programme is intended to be indicative, and the availability of optional modules may vary from year to year. Where a module is no longer available we will let you know as soon as we can and help you to make other choices.

Fees and funding

We charge an annual tuition fee. Fees for 2018/19:

  • UK/EU: £9,680 full-time; £4,840 part-time
  • International: £18,240 full-time

The above fees quoted are for one year only; for those studying over two or more years, tuition fees will also be payable in subsequent years of your programme.

Fee status

Eligibility for UK/EU or international fees can be verified with Admissions. Learn more about fees for international students.

We can also confirm that EU students who are already studying at the University of Birmingham or who have an offer to start their studies in the 2018-19 academic year will continue to be charged the UK fee rate applicable at the time, provided this continues to be permitted by UK law. The UK Government has also confirmed that students from the EU applying to courses starting in the 2018-19 academic year will not see any changes to their loan eligibility or fee status. This guarantee will apply for the full duration of the course, even if the course finishes after the UK has left the EU.

Paying your fees

Tuition fees can either be paid in full or by instalments. Learn more about postgraduate tuition fees and funding.

Scholarships and studentships

Scholarships to cover fees and/or maintenance costs may be available. To discover whether you are eligible for any award across the University, and to start your funding application, please visit the University's Postgraduate Funding Database.

International students can often gain funding through overseas research scholarships, Commonwealth scholarships or their home government.

Entry requirements

We usually ask for a good Honours degree (2:1), or equivalent, in Music or a related subject with a substantial musical component. Degrees in other subjects will be considered where candidates have significant professional musical experience and relevant qualifications.

Your application should include a personal statement of approximately 5,000 characters. You should use your personal statement to explain why you are interested in studying this programme. In order to expedite processing, please clearly state the pathway to which you are applying within the first paragraph of your personal statement.

All prospective students must also submit a sample of written work of at least 1,500 words - in English - in addition to the usual supporting documents. This should focus on a musical topic, with academic bibliography and references.

For pathways in performance, you must also present a 20-minute programme during which you play a varied programme focusing on Western classical repertoire. The audition should include a brief spoken introduction - in English - to the programme, discussing the repertoire performed.Students from the United Kingdom are expected to audition in person, where possible. If you are unable to audition in person or are located overseas, you should submit a video-recorded audition. This is preferably submitted as an internet video link, (e.g., YouTube/Vimeo/Youku or Dropbox/WeTransfer/YouSendIt), with the URL pasted into a text document and uploaded to the application portal. A DVD submission by post is also possible.

Learn more about entry requirements

International students

Academic requirements

We accept a range of qualifications; our country pages show you what qualifications we accept from your country.

English language requirements

You can satisfy our English language requirements in two ways:

How to apply

Please review our Entry Requirements before making your application.

Before you make your application

You may wish to register your interest with us to receive regular news and updates on postgraduate life within this Department and the wider University.

Making your application

When clicking on the Apply Now button you will be directed to an application specifically designed for the programme you wish to apply for where you will create an account with the University application system and submit your application and supporting documents online. Further information regarding how to apply online can be found on the How to apply pages

Apply now

Your learning will be enhanced by our extensive facilities, including the Bramall Music Building.

Support with academic writing

As a postgraduate student in the College of Arts and Law, you have access to the Academic Writing Advisory Service (AWAS) which aims to help your transition from undergraduate to taught Masters level, or back into academia after time away. The service offers guidance on writing assignments and dissertations for your MA/MSc programme with individual support from an academic writing advisor via tutorials, email and the provision of online materials.

International students can access support for English Language development and skills through the Birmingham International Academy (BIA).

Your degree will provide excellent preparation for employment and this will be further enhanced by a range of employability support services offered by the University.

The University's Careers Network provides advice and information specifically for postgraduates that will help you to develop an effective career and skills development strategy, and to make the most of your time with us at the University. The College of Arts and Law also has a dedicated careers and employability team to deliver tailored programmes of careers events and local support.

You will have opportunities to: meet employers face-to-face at on-campus recruitment fairs; attend employer presentations and skills workshops; receive individual guidance on your job applications, writing your CV and improving your interview technique; and access to comprehensive listings of hundreds of graduate jobs and work experience opportunities.

You will also be able to access our full range of careers support for up to two years after graduation.

Postgraduate employability: Music

Birmingham's Music postgraduates work in a wide range of careers within and beyond the music world. A postgraduate degree in Music develops a broad base of skills including general skills such as communication, problem solving and research, and also specific skills developed by practice and performance such as self-management, team work and presentation.

Over the past four years, 91% of Music postgraduates were in work and/or further study six months after graduation. Whilst some graduates pursue music-related careers, or go on to teaching and lecturing roles, others choose to use their transferable skills to follow career paths in fields including finance and the public sector.

Music postgraduate alumni profiles

Birmingham has been transformed into one of Europe's most exciting cities. It is more than somewhere to study; it is somewhere to build a successful future.

Get involved

The Guild of Students hosts over 250 student groups and societies to suit a wide range of interests. These include the Postgraduate and Mature Students Association which runs a regular and varied programme of events specifically tailored to postgraduate students.

In addition, you will find that each Department runs its own social activities, research fora and student groups.

Accommodation

We offer accommodation for postgraduates on or near to campus, although many of our students also choose to live privately in student accommodation, shared houses or flats. If you do choose to live in private accommodation, the University has dedicated support services to help you to find properties from accredited landlords.

The City of Birmingham

One of Europe's most exciting destinations, Birmingham is brimming with life and cultures, making it a wonderful place to live, study and work. Our students fall in love with the city - around 40% of our graduates choose to make Birmingham their home.