An example drawn from my own research alongside unemployed young men over the last two years illustrates this point... The Bromford estate in Birmingham is amongst the 2% most multiply deprived neighbourhoods in England, and currently the second highest unemployment figures in the country. Life expectancy is lower than that for almost every other part of Birmingham and more people die young than elsewhere in the city. Two-thirds of families have no access to a car, making travel to decent food shops and work in the city’s gleaming Bullring a real problem. Many of the young men I work alongside are ‘N.E.E.T’ (Not in Education, Employment, or Training). And yet some have started their own recording studio, begun forging a music career, are training to be youth workers (with the help of the Worth Unlimited youth organisation), established a social enterprise fixing and selling broken bicycles or are studying for A-Levels with a view to applying to study at the University of Birmingham. Most wear ‘hoodies’ but all resist the ‘broken Britain’ stereotype. They know that their community is depicted as ‘the slum’. However, they resist the demonising of their neighbourhood and their depiction as inarticulate ‘Chavs’. The recent ‘Bromford Dreams’ graffiti art project, which I developed as part of my work as a Research Fellow in Urban Theology at the University of Birmingham, bursts the myth that apparently undergirds the ‘troubled families’ programme. During February 2012 these young men explored the impact that social exclusion has on the way they think about identity, meaning, truth and the future. Working together they designed and painted the articulate and provocative ‘Bromford Dreams’ cube which is now on display at the centre of the green campus of the University of Birmingham and has formed the basis for a conference and concert. The ‘Bromford Dreams’ project perhaps needs to be studied by the authors of ‘Troubled Families’ programme for it subverts the stigmatising stereotypes that the initiative falls prey to and appears to perpetuate.