So too is Kathleen Jamie, despite the wonderful and memorably-titled poetry collection she wrote around the time of the establishment of the Scottish Parliament: Mr and Mrs Scotland are Dead. Her earlier poetry was much concerned with Scottish identity, the Scots language, and gender, on all of which she is always sharp, inventive, and funny. But Jamie is also a celebrated practitioner of creative non-fiction: in Among Muslims, she explored similarities between her own small-town Scottish childhood and the purdah-observing Shia Muslims she encountered when travelling alone in the Himalayas, where India and Afghanistan meet. Her more recent prose has included the books Findings and Sightlines, mesmerising essays about the natural power and beauty of Scotland and the fragility of our hold on it (her husband had a life-threatening illness when she was writing these). Like Jamie McKendrick, the first visiting writer, she is a naturalist as well as a poet, capturing in words the landscape and ecology of her native Scotland in ways fit for the 21stcentury. This preoccupation with nature and landscape forges a link, too, with two of the later visitors, Michael Longley and Alice Oswald, whose poems celebrate their own sacred places in Ireland and the West Country respectively.