The keynote speeches by Professor Charles Forsdick (University of Liverpool) and Professor Gilles Teulié (Aix-Marseille Université) offered a strong conceptual and empirical framework to the discussions, conveying thought-provoking questions about concepts, definitions and practices. Drawing upon the findings of his recently published book Postcolonial Realms of Memory: Sites and Symbols in Modern France (Liverpool University Press, 2020), Professor Forsdick interrogated the ways in which the afterlives of empire often cannot be understood in terms of stable, linear, homogenizing concepts such as ‘legacy’. He provided an overview of some of the alternative figures adopted to describe what comes after colonialism in post-imperial societies, including the concepts of spectrality, ruination and ‘memory-traces’. In contrast to Professor Forsdick, who focused more on images of ruins and colonial relics, Prof. Teulié used colonial-time imagery, such as cartoons, caricatures, and picture postcards, to examine how visual production was not only a form of social expression but also a tool of propaganda. Focusing on picture postcards, he demonstrated how these constituted part and parcel of the European imperial project and argued that the ideologies it represented could be innocently sent to friends and relatives without the sender even being aware of participating in that project.