Staff in the Centre for the Study of North America

My primary research interests are in the social, cultural, and transnational histories of the U.S. South, mobility, U.S. empire, and race.

My scholarship is interdisciplinary and centres on the literature and culture of New York City, queer writing, and modern American poetry.

I teach and research contemporary and twentieth century literature, with particular interest in digital cultures and creative representations of technological change in the modern age.

My current research interests are Latin America and the world, global microhistory, regional identity, race and representation, gender and representation, transnational consumer culture, popular culture movements, movement and migration, language-based movements, and spatial understandings of regional culture.

Tom Cutterham is a historian of Revolutionary America and the late eighteenth-century Atlantic world. He teaches the history of North America from the first English colonisations to the end of the nineteenth century, including courses on women in the American Revolution and the meaning of freedom in American history. Following his first book, Gentlemen Revolutionaries: Power and Justice in the ...

I am a cultural and diplomatic historian whose research interests centre on US-Russian Relations, the cultural and political implications of new technologies and how Americans have envisaged the future. I am currently writing a history of American perceptions of the Soviet space programme. 

My work focuses on American art and literature and visual art in the early twentieth century and explores the ways in which cultural forms adapted to the new circumstances of American modernity.

I’m a British/Canadian academic interested in security and intelligence in the past and present and in a US/UK/Canada context.  My work has covered a range of topics, such as state surveillance against Canadian universities, UK and US counter-terrorism, a history of informants, and the world's most famous police force, the Royal Canadian Mounted Police. 

With an academic grounding in American and Canadian Studies, and professional experience of television and film production, I am interested in multidisciplinary approaches to teaching and research. In particular, I am keen to develop a fusion of theory and practise by way of a multifaceted audio-visual academia that can function as a versatile teaching tool, and as a mode of publication and ...

My research and teaching considers what the history of the United States might tell us about colonialism, racial capitalism, and social movements in a global context.

My research focuses on Gothic fiction and on maritime writing, both as separate and overlapping areas of study. I have a long-standing interest in voice and utterance in literary writing, and my work on the Gothic focuses on the haunted and haunting voices that resonate within late-eighteenth and nineteenth-century American Gothic literature. I also work on the deep sea as it is depicted in a ...

My teaching and research focuses on 20th and 21st century literature and culture across the Anglophone world, with a particular emphasis on the relationship between literature, media and book history.

My research and teaching focuses on three areas: 1) sound studies and aesthetics of quiet and loud in American culture, 2) memoir and contemporary life-writing, and 3) digital and popular cultures.

My first book, The Quiet Contemporary American Novel, was published in 2017 by Manchester University Press and I am currently working on a study of ‘confession’ under neoliberalism.

I research and teach film and television aesthetics. My work involves close reading and, particularly, I am interested in the relationship between this critical practice and questions of value and achievement.

I am a lecturer in American Literature and Culture. My research focuses on twentieth-century African American literature and visual art, with a particular emphasis on the relationship between political and aesthetic ideas of freedom.