Research in the Department of Drama and Theatre Arts covers a wide range of cutting edge explorations and theorisations of drama, theatre and performance.
While the research undertaken in the department is multifaceted, the following research supervisor groupings highlight points of intersection and speak to the research strengths of the department. The groupings allow for collaboration and support between researchers, as well as offering a thriving environment for postgraduate students.
I joined the Department in September 2017, having taught at Anglia Ruskin University since 2004, prior to which I worked as a research assistant and doctoral student at the University of Roehampton. My research focuses on the interface between medicine and performance.
I am a practice-based scholar whose research interests include immersive performance practices, augmented and mixed reality in performance, live art, practice-as-research, performance documentation and cognitive approaches to reception theory. I am the artistic director of Vertical Exchange Performance Collective, co-artistic director of KeepHouse Performance and an Associate Artist at the New ...
I joined the department as a Teaching Fellow in September 2016 after teaching at Queen Mary University of London. From July 2017, I will be working as a Research Fellow on the Harold Pinter: Histories and Legacies project, funded by the Arts and Humanities Research Council. As part of this project, my research will focus on Pinter’s relationship with the Royal Shakespeare Company.
Emeritus Professor of Drama
My work focuses on the relationships between text and performance - particularly but not exclusively of Shakespeare’s plays - in their social and intellectual context and in a wide range of media. I am currently engaged in studies of the representation of the theatre in the other arts.
My research is informed by (and informs) my work in professional theatre and film.
Senior Lecturer in Drama and Theatre Arts
My research centres on directing, performance practice and the creation of new work.
I have published widely on theatre practice, especially directing, and significantly on the work of Odin Teatret and Eugenio Barba. I have recently completed the monograph The Director and Directing: Craft, Process and Aesthetic in Contemporary Theatre (Palgrave Macmillan).
I am co-artistic director ...
My research focuses on Shakespearean staging, digital technologies in performance, and contemporary European theatre. I am currently working on a practice as research project on a virtual performance of Hamlet.
Lecturer in Theatre
My work focuses on Beckett’s theatre aesthetics and the history of the author’s work in performance. I also engage in research in gender studies.
I became a Teaching Fellow in 2018, having been a PGTA in the department for the past three years.
I've been teaching and researching in drama and theatre studies since 1992. I’m an internationally recognised expert on the work of Samuel Beckett, and I’ve published ground breaking work on live music as a performance. I’ve also written extensively about contemporary British theatre, Scottish theatre, and popular culture.
I have had a long freelance career in music and drama and am still an active performer in both fields. My specialist academic areas are nineteenth-century theatre, popular theatre studies, technology and performance and any area of music and drama.
I joined the department in September 2016, after teaching English Literature and Drama at the University of Heidelberg since 2007. From April 2015 to April 2016 I conducted research at the Drama department of the University of Royal Holloway, London. I studied at the University of Heidelberg as an undergraduate and as the equivalent of a Master’s student (joint honours English & German, ...
Allardyce Nicoll Chair in Drama
I joined the department in January 2016, after teaching at the University of Reading since 2005 in the department of Film, Theatre and Television. I have also taught at the universities of Coventry, Lancaster and the University of the West of England (UWE). I also studied at the University of Birmingham as an undergraduate (joint honours English & Drama,1991-4) and completed my PhD here ...
I joined the Department of Drama and Theatre Arts in 2003. My main teaching and research interests are in actor-training and Russian Theatre and I have published in these areas. I am a teacher of the Alexander Technique and a member of the Professional Association of Alexander Teachers.
Production Manager / Stage Technologies Tutor
Telephone: +44 (0)121 414 8511
Stage Manager / Stage Management Tutor
Telephone: +44 (0)121 414 5677
Scenic and Costume Designer / Tutor
Telephone: +44 (0)121 414 6395
Telephone: +44 (0)121 414 6000
Lighting Designer/Technical Tutor
Telephone: +44 (0)121 414 7018
Telephone: +44 (0)121 414 5998
Telephone: +44 (0)121 414 5975