You will study one core module:
This is a module for advanced performers who are approaching a professional standard. Your skills will be honed through individual tuition with experts on your instrument/voice.
Assessment: You will present a lecture-recital involving a performance and a lecture presentation, and submit an extended essay version of the lecture.
You will also choose three optional modules from a range which typically includes:
Introduction to Electroacoustic Composition
This module covers editing and mixing techniques using proprietary digital audio workstation software as well as sound processing techniques using plug-ins. You will also learn source sound recording techniques, an understanding of diffusion and the MiniBEAST system and listening to repertoire, with a particular emphasis on the studio techniques employed.
Assessment: A series of practical assignments
Introduction to Global Popular Music Studies
This module aims to familiarise you with a field of study that has been emerging from the intersection of ethnomusicology and popular music studies. Assigned readings, discussions, and assessments will seek to situate popular music in a global context while also attending to the ways that global processes impact local musical actors, scenes, and styles. Particular attention will be paid to ethnography and its application to the study of popular musics. Topics and cases to be explored include diasporic popular musics, musical migration, recording and production, global music industries, musical labour in the ‘creative industries’, local music scenes, urban contexts, and media theory. This module will also provide an orientation to relevant fields of study (including ethnomusicology and popular music studies) through an engagement with foundational disciplinary texts as well as current debates.
Assessment: Written assignment and in-class presentation
Introduction to Instrumental/Vocal Composition
This module will provide an opportunity to study instrumental/vocal composition for students whose main focus of postgraduate studies lies within another related area, for example electroacoustic composition.
During the autumn semester, three topics related to various compositional techniques are presented in the form of the lectures, followed by related compositional exercises and workshops. During the spring semester, you will focus on development of your own ideas through the creation of a longer composition (or a number of compositions), with the individual guidance from the tutor.
Assessment: Portfolio of compositions
Introduction to Musicology
This module examines issues that are exercising musicologists in the modern discipline, with a view to preparing you to conduct original research and ultimately prepare you for the profession. It is taught as a series of seminars by various members of staff, each introducing a topic related to their own research expertise.
Assessment: Four 2,000-word essays
Introduction to Programming for Electroacoustics
This module will explore the use of computers for the realtime and non-realtime creation of music and/ or sound installations, within a lecture/workshop environment. This will make use of the free and open source DSP and music language SuperCollider. Topics may include sound synthesis, realtime processing, interaction, the development of graphical interfaces, etc. Knowledge of computer programming and advanced maths is not a prerequisite.
Assessment: A combination of practical and written assignments
Advanced Studies in Electroacoustic Composition
This module builds on your previous experience at Birmingham or elsewhere. It aims to expand your thinking and musical horizons through theoretical and practical work. The module includes listening, reading, programming, performance training and the use of a large range of audio software and hardware. The module contains six areas of study: sound generating, editing, mixing and processing techniques; source sound recording techniques (studio and field); approaches to spatialisation; diffusion techniques and the MiniBEAST and BEAST sound systems; advanced topics in programming for electroacoustics and digital signal processing; software critique; and repertoire studies.
Assessment: A series of class tests, including a composition project
Advanced Studies in Instrumental/Vocal Composition
The module contains four main areas of study: musical form (micro and macro); advanced studies in notation; repertoire studies; and relevant strands of advanced music theory. Topics covered will include proper editing and preparation of materials at a professional level, recent stylistic developments in contemporary music (e.g. post-spectralism, post-minimalism), and computer assisted composition techniques.
Assessment: A combination of written and practical assignments
Advanced Studies in Medieval and Renaissance Music
This module will provide the technical and theoretical background for working in this period and equip you with the skills necessary to proceed to a PhD in Medieval or Renaissance Music. Through a series of case studies, you will be shown a variety of analytical models to provide you with different ways of engaging with the music as well as of talking and thinking about it. You will also examine complex and controversial issues of performance practice.
Assessment: Written assignments and examination
Aesthetics and the Philosophy of Art
This module consists of a critical examination of topics in aesthetics and the philosophy of art. It considers subjects such as: art and the nature of aesthetic experience; beauty, ugliness and the sublime; symbolism and allegory; the aesthetics of modernism. At its core is an overview of the German aesthetic tradition, involving a close reading of foundational texts by Immanuel Kant, G.W.F Hegel and their contemporaries in the early 19th century. It will also consider work by a range of subsequent authors, such as, for example, Walter Benjamin, John Dewey, Ernst Bloch, Benedetto Croce, Maurice Merleau-Ponty, Theodor Adorno and Martin Heidegger. Attention will be paid not only to the conceptual arguments put forward by the thinkers in question, but also to the ways in which their theoretical tenets have underpinned the interpretation and criticism of works of art, music and literature.
Assessment: Written assignment
British Music Studies
This module takes the broadest perspective on modern British art music, offering case studies in the work of the ‘great composers’ of the tonal idiom such as Elgar, Vaughan Williams and Britten, evaluation of the Anglican choral tradition and the British symphonic tradition, examination of the problematic status of modernism in British music before 1960, and criticism of modernist and postmodernist composition since World War II. Approaches are critical, analytical and sociological, with some reception history as well. The repertory under study is mainly choral, orchestral and chamber music.
Assessment: Two 4,000-word essays
Over two semesters, you will receive regular one-to-one tutorial teaching, enabling you to develop your compositional technique and a self-reflexive critique of your own work. Composition techniques appropriate to individual needs will be taught and discussed during tutorials. In so doing, you will also be encouraged to broaden your range of compositional practice, and move toward the development of a personal ‘voice’.
Assessment: Composition portfolio
Contemporary Music Studies
This module studies the explosion of musical expression that characterises 20th-century and contemporary music, focusing on key movements (serialism, minimalism, etc) and concerns (tonality/atonality, aleatoric principles, etc). Starting from the musical ‘crisis’ of the early years of the 20th century, the course will address issues such as the separation of ‘art’ and ‘popular’ music, the impact of technology and the presumption of postmodernism at the start of the 21st century. The marked shift in aesthetics and music’s ‘function’ will also be discussed.
Assessment: One or two written assignments, totalling 9,000 words
Electronic Music Studies
This module provides an in-depth examination of electronic music as a cultural phenomenon. Notably, it will cover both electroacoustic music and electronic dance music, studying them comparatively as parallel and often intertwined musical practices. Assigned readings, discussions, and assessments will focus on introducing you to a wide range of repertoires, genres, technologies and techniques relevant to both streams of electronic music. In-class discussion of readings and recordings will form the core of the module, complemented by hands-on activities that familiarise you with the materials and methods of electronic music. Activities and assessments will also build the necessary skills to conduct deep, contextually-nuanced analyses of electronic music. This course will also provide an orientation to debates and issues within fields relevant to the study of electronic music.
Assessment: One research project; short weekly assignments; in-class presentation
This practice-led module will build the skills needed to conduct an independent ethnographic research project. Throughout the module you will become acquainted with the various methods available for fieldwork and learn to assess their strengths and weaknesses in relation to varying research contexts. Topics addressed may include: project design and planning, ethics, audio-visual documentation, interviewing, fieldnotes, transcription, and online/virtual ethnography. Instruction and assessment will be hands-on, applying theoretical readings to concrete materials and activities.
Assessment: 4,000-word research prospectus and a series of applied fieldwork assignments
This module explores the rapidly developing field of laptop ensemble performance. The class will function as an ensemble group, working to develop and prepare repertoire for public concerts. Topics covered will include: techniques for improvisation; networked music performance; live coding; and composition for live electroacoustic ensemble. Works presented in concert will include student and group developed pieces, as well as ‘classics’ from the field. Students should have at least a rudimentary background in a computer music programming environment such as SuperCollider or Max/MSP, but the projects pursued will be selected according to the ensemble’s makeup each year.
Assessment: A series of class tests, including short compositions and a final performance
This module has been specifically designed to address the extra-musical aspects of successful musical performances and is intended to complement and enhance performances given in your other performance modules.
The module runs across both semesters. In semester one, you will attend a series of seminars/workshops in the Department’s Music Health and Wellbeing series, which focus on the physical and psychological elements of performance. In the second semester, you will attend a series of ‘Performance Platform’ sessions, where you and your cohort will perform for one another, analyse each other’s performances, and receive feedback from professional specialists. Across both semesters you will also attend all six Barber Evening Concerts.
Assessment: 10-minute performance, two oral presentations, 3,000-word written assignment
Special Study in Music
You will undertake a special study of a particular field of your choice under the direction of the leader of your pathway, which will typically require attendance at an appropriate series of lectures or tutorials as well as independent reading and research. Topics for study might include: vocalists in the Baroque era; topics in music analysis; or topics in critical musicology.
Assessment: Written assignment
Please note that the optional module information listed on the website for this programme is intended to be indicative, and the availability of optional modules may vary from year to year. Where a module is no longer available we will let you know as soon as we can and help you to make other choices.